
Summary: Two-time Caldecott Medalist Van Allsburg reaches a new pinnacle of excellence in both illustration and storytelling in his latest work. Since his first book, The Garden of Abdul Gasazi, appeared just over a decade ago, he has spun many strange and fantastic modern fairy tales, all of which spill over the edge of reality into magnificent dreamscapes. Here Van Allsburg introduces Walter, a boy who imagines the future as a marvelous time, with tiny airplanes that can be parked on the roof of your house and robots that take care of all your work for you. In the present, however, Walter is a litterbug who can't be bothered to sort the trash for recycling and laughs at Rose, the girl next door, because she receives a sapling for her birthday. One night, when Walter goes to sleep, his bed travels to the future. But he finds neither tiny airplanes nor robots, only piles of trash covering the street where he used to live, acres and acres of stumps where forests used to stand, rows and rows of great smokestacks belching out acrid smoke, and many other environmental nightmares. Van Allsburg renders each of these chilling scenarios in elaborate, superbly executed two-page spreads that echo the best work of M. C. Escher and Winsor McKay (creator of the Little Nemo comic strips). Walter and his bed land right in the middle of the action in each of these hallucinatory paintings, heightening the visual impact and forcing a hard look at the devastation surrounding Van Allsburg's protagonist. An awakened Walter, jolted by his dream, changes his ways: he begins to sort the trash and, like Rose, plants a tree for his birthday. Then his bed takes him to a different future, one where people tend their lawns with powerless mowers and where the trees he and Rose have planted stand tall and strong beneath a blue sky. Not only are Just a Dream 's illustrations some of the most striking Van Allsburg has ever created, but the text is his best yet. Van Allsburg has sacrificed none of the powerful, otherworldly spirit that suffuses his earlier works, and he has taken a step forward by bringing this spirit to bear on a vitally important issue. His fable builds to an urgent plea for action as it sends a rousing message of hope. All ages. Copyright 1990 Reed Business Information, Inc.
Cross Curricular Connections: This is really a book with an environmental twist. This fantasy picture book would make a nice pair with Home or Window by Jeannie Baker.
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Summary: K-Gr. 3. This wordless picture book with exquisitely detailed collage illustrations speaks eloquently about urban conservation. Every double-page spread is a view through the same window, a view that changes over a generation, beginning with a couple expecting a baby and continuing as the baby grows up, is courted, and is married in the neighborhood street. At first the sprawl and smog nearly smother the view, but gradually the place changes. The community brings back a variety of local plants, and by the time the young woman's own baby is born, trees block the billboards, there are birds on the roof and in the sky, and cyclists and a bus can be seen on the roadway. Suddenly, there's a glimpse of the river in the distance, a dragonfly on the windowsill, and the full moon shines at night. Unlike some collage art, the technique here never gets in the way. The details show and tell a story about the small things in one neighborhood--their fragility, strength, and connection--and their power to make a difference. With each look at the pictures, there's more to see in the crowded neighborhood that is transformed into a wild and beautiful place. Hazel Rochman Copyright © American Library Association. All rights reserved
Classroom Implications: This is a great companion piece with Baker's other book, Window.
It takes the opposite look at development and the environment. It starts with an urban decay of a scene. With time, care, and community effort, the city-scape transforms into something beautiful. It would also be a picture book to support Paul Fleishman's book Seedfolks, which is based on social action, community and gardening.
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Summary: Grade 1 Up-- A mother, holding her newborn son, gazes out the window of his room at lush vegetation, tropical birds, a pond, a kangaroo. Ten double-page illustrations following show the development--during a 20-year period--of the area outside the window. As Sam (the baby) grows older, the land is cleared, a road is built, then a farm. A housing development goes up, then takes over a hill that was once green with lush growth. Development becomes suburb, then city, complete with billboards, high-rises, noise pollution, litter, and overpopulation. Sam marries and moves to a new house in the country, where the final window scene shows him, holding his baby, staring at a sign announcing, "House Blocks For Sale". Words are unnecessary, as Baker's carefully rendered collage scenes explicitly detail the situation. Varying symbolic objects on Sam's windowsill (and the cracking and p
eeling of paint on the wall) add to the book's message. Baker's meticulous collages, formed from natural materials, clay, fabric, and real hair, are so detailed that they require many viewings. A final, short author's note explains the inspiration for the book: ". . .by understanding and changing the way we personally affect the environment, we can make a difference." This unusual, exceptionally well-crafted picture book might be a good way to begin. --Susan Scheps, Shaker Heights Public Library, OH Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. Curricular Connections: This text can be used in a science classroom where students study the effect of development on indigenous ecosystems. It is a crucial outlook and environmental perspective that should be support with today's youth.Purchase

Summary: Grade 2-5–This well-crafted picture-book biography focuses on Einstein's hard-to-classify brilliance, which led to awesome scientific discoveries, but all too often left him a misunderstood outsider. Brown describes his subject's loving, cultured parents who were frequently nonplussed by their son's behavior and temper. He found himself the "odd boy" at school, and as the only Jewish student, was sometimes taunted by other children. He puzzled his instructors as well; though clearly gifted in science, math, and music, he was an indifferent student in most subjects. Brown's pen-and-ink and watercolor illustrations, rendered in a palette of dusky mauve and earthy brown, portray a doubtful, somewhat unhappy-looking child, except for a picture in which he gazes fondly at a compass, a gift that astonishes him as he ponders its mysteries. In many scenes he is marginalized on the sidelines, set apart by color and shading. One dramatic spread features an adult Einstein pushing his child in a carriage, looking small against a backdrop that highlights some of the scientific puzzles that so engaged him. Through eloquent narrative and illustration, Brown offers a thoughtful introduction to an enigmatic man. This book will pique the interest of readers with little or no knowledge of Einstein.–Marilyn Taniguchi, Beverly Hills Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Classroom Implications: This picture book biography reminds students that academic icons, such as Albert Einstein, were once children! This nonfiction text is accessible to students due to it's picture book format. This is helpful as a read aloud to younger children and a hands-on text with the older grades. A great connection with science curriculum in the upper grades, too!
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Summary: Kindergarten-Grade 4–This colorful introduction to six different biomes mixes clearly presented information with seek-and-find fun. The book opens with a glorious two-page collage made of cut and torn paper that depicts a desert in the American Southwest. Eight indigenous animals are included in the picture, but readers will have to search hard to find them as they are mostly camouflaged by cacti and rocks. On the next spread, the creatures are shown against a white backdrop; each one remains in the same position on the page, allowing youngsters to refer back and find the ones they missed. Each animal is introduced by name and given a brief yet tantalizing descriptive line. The same pattern is repeated for a tide pool on the English coast, a rain forest in the Amazon River basin, the grasslands of central Africa, an Australian forest, and a pond in the American Midwest. As an added challenge, and to make the point that ants live all over the world, one of these insects is hidden in each scene. Additional, well-chosen facts about these habitats and the depicted creatures are appended, along with an outline map of the locales. Filled with vibrant colors and palpable textures, the illustrations are breathtaking and give a real sense of the vitality, diversity, and beauty of nature. A first-rate foray into ecology that will encourage readers to explore the world around them.–Joy Fleishhacker, School Library Journal Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Classroom Implications: In many classrooms, students study habitats and ecology. This is a modern I Spy game that students can play with their classmates during a partner reading session in reading workshop. The art and lines from the text help create a magical mood for kids to bring their science curriculum to life.
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