Showing posts with label YA. Show all posts
Showing posts with label YA. Show all posts

Black and White by David Macaulay


Summary: Publishers Weekly: At first glance, this is a collection of four unrelated stories, each occupying a quarter of every two-page spread, and each a slight enough tale to seem barely worth a book--a boy on a train, parents in a funny mood, a convict's escape and a late commuter train. The magic of Black and White comes not from each story, however, but from the mysterious interactions between them that creates a fifth story. Several motifs linking the tales are immediately apparent, such as trains--real and toy--and newspapers. A second or third reading reveals suggestions of the title theme: Holstein cows, prison uniform stripes. Eventually, the stories begin to merge into a surrealistic tale spanning several levels of reality, e.g.: Are characters in one story traveling on the toy train in another? Answers are never provided--this is not a mystery or puzzle book. Instead, Black and White challenges the reader to use text and pictures in unexpected ways...no other writer for adults or children explores this unusual territory the way Macaulay does. All ages. Copyright 1990 Reed Business Information, Inc.

Classroom Implications: This post modern text requires sophisticated reading strategies for students to synthesize the information presented in the text. Multiple plotlines interweave simultaneously and blend together using the actual text and the illustrations. One suggested teaching point is to assign groups of students one plot to follow, therefore kids can jigsaw the story together (this aids with synthesizing).

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The Mysteries of Harris Burdick by Chris Van Allsberg

Summary: This book is a collection of illustrations that resemble old photographs of surreal events and images. Each illustration has an accompanying title and quote that entice the reader to image a plot for the picture. The premise of the book is that a man named Harris Burdick dropped off a sample of his work to a publisher to consider publishing. The sample only includes illustrations with these enticing titles and quotes. The publisher discloses that the artist never returned again. The publisher finds this so compelling, he ends up making a book out of this mystery.

Classroom Implications: The book is set up with a long author's note to the reader, thereby creating a very "real" feeling for this fictitious book. I've used this book over and over when teaching short stories and have ALWAYS led on that the story is "real" with my middle schoolers. They instantly become intrigued with the mystery and look forward to writing stories that accompany the illustration and the quotes. This text is a fantastic wordless fantasy book that serves as inspiration for writing projects in the classroom!

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Text Excerpts:

The Other Side by Istvan Banyai

Summary: Grade 6 and Up–There's nothing mundane or predictable about Banyai's wordless picture book. As in Zoom and Re-Zoom (both Viking, 1995), the illustrator takes his audience on a visual journey that begins with a nearly blank page that, when turned, reveals instructions for folding a paper airplane. On the next page, a girl in her high-rise apartment practices her cello and a paper airplane can be seen outside her window. Readers flip the page to see the girl's building from the outside looking in. Paper airplanes are everywhere, thanks to a young neighbor one floor up who has been practicing his folding skills. Each pair of pages, front and back, presents inside and outside views, and although the scenes are not obviously linked to a larger plotline, they are connected through reoccurring images, colors, and themes. This is a challenging book, one that allows for creative speculation. The graphite-rendered artwork is quirky as well as infinitely interesting. Not everyone will get the sly humor, or be prepared to indulge in a book that demands such work. However, those who give it a try will be drawn into a thought-provoking, whimsical world. It's a book that begs to be talked about, and teachers will find it a useful tool for discussions about point-of-view and perspective.–Carol L. MacKay, Camrose Public Library, Alberta, Canada Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Notable Information: This text would be most efficiently used in an upper grade classroom. The way the story builds off of the perspective shifts is highly complex. It is a highly usable text to teach perspective, point of view and symbolism. The Other Side would also pair nicely with a writing activity based around the perspectives of the text. Students could also develop complex conceptual ideas that could become literary essays.

Text Excerpt:

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Maus a Survivors Tale: My Father Bleeds History by Art Spiegelman


Summary: Some historical events simply beggar any attempt at description--the Holocaust is one of these. Therefore, as it recedes and the people able to bear witness die, it becomes more and more essential that novel, vigorous methods are used to describe the indescribable. Examined in these terms, Art Spiegelman's Maus is a tremendous achievement, from a historical perspective as well as an artistic one.

Spiegelman, a stalwart of the underground comics scene of the 1960s and '70s, interviewed his father, Vladek, a Holocaust survivor living outside New York City, about his experiences. The artist then deftly translated that story into a graphic novel. By portraying a true story of the Holocaust in comic form--the Jews are mice, the Germans cats, the Poles pigs, the French frogs, and the Americans dogs--Spiegelman compels the reader to imagine the action, to fill in the blanks that are so often shied away from. Reading Maus, you are forced to examine the Holocaust anew.

This is neither easy nor pleasant. However, Vladek Spiegelman and his wife Anna are resourceful heroes, and enough acts of kindness and decency appear in the tale to spur the reader onward (we also know that the protagonists survive, else reading would be too painful). This first volume introduces Vladek as a happy young man on the make in pre-war Poland. With outside events growing ever more ominous, we watch his marriage to Anna, his enlistment in the Polish army after the outbreak of hostilities, his and Anna's life in the ghetto, and then their flight into hiding as the Final Solution is put into effect. The ending is stark and terrible, but the worst is yet to come--in the second volume of this Pulitzer Prize-winning set. --Michael Gerber
Classroom Implications: This book adds a new dimension to a Holocaust study. The graphic novel provides a different angle, a new lens, for students to examine a subject that they may already know a lot about.

The Forbidden Schoolhouse: The True and Dramatic Story of Prudence Crandall and Her Students by Suzanne Jurmain

Summary: Gr. 5-8. Jurmain has plucked an almost forgotten incident from history and has shaped a compelling, highly readable book around it. In 1831, Prudence Crandall opened a school for young white ladies. When asked by an African American teenager if she might join the class, Crandall, whose sympathies were with the abolitionists, agreed. So begins a jolting episode in which Crandall turned her school into one for girls of color, and is both tormented and sued by the citizenry of Canterbury, Connecticut, who wanted no part of African Americans in their town. Writing with a sense of drama that propels readers forward (and quoting the language of the day, which includes the word nigger), Jurmain makes painfully clear what Crandall and her students faced, while showing their courage as they stood up to those who tried to deter them. Printed on thick, snowy stock and including a number of sepia-toned and color photographs as well as historical engravings, the book's look will draw in readers. Children will be especially pleased by the appended material, which includes an epilogue that tells what became of the principals, as well as source notes for the many quotes. Ilene CooperCopyright © American Library Association. All rights reserved

Classroom Implications: What's great about this nonfiction text is that it's about desegregation but takes place in a northern setting! Students often read about desegregating schools in the South during the civil rights movement. But this book takes readers back to the 1800's in New England. This book is a nice transition from nonfiction picture books and nonfiction reading students engage in during high school. Therefore, this books is a perfect nonfiction read for the middle grades.

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Who Am I Without Him?: Short Stories About Girls and the Boys in Their Lives by Sharon Flake


Summary: Gr. 6-12. Hilarious and anguished, these 10 short stories about growing up black today speak with rare truth about family, friends, school, and especially about finding a boyfriend. Erika is a "ghetto girl" who likes white boys; she can't help it, and the other black kids in school can't stand her, because they know. Class is a big issue for Erin, who steals clothes so he can take a suburban girl to the homecoming dance. The church girls are forbidden to date, and they get hurt when they go hunting for boys. But their well-meaning parents don't have it right, and the girls won't stop looking. As with Janet MacDonald's fiction, the talk here is wild, angry, and outrageous, but there's no overt sex or obscenity. Yes, there are messages, but the narrative is never preachy or uplifting; it's honest about the pain. When one girl's boyfriend hits her, she apologizes "just like my momma does when daddy slaps her." The best advice comes from a dad who abandoned his family, who now tells his teenage daughter how to avoid getting stuck with someone like him ("you is so much more than a pretty face and a tight pair of jeans, some boy's girlfriend or some man's wife"). Not everyone makes it. The stories work because Flake never denies the truths of poverty, prejudice, and failure. Hazel Rochman Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition. Purchase

Call Me Maria by Judith Ortiz Cofer


Summary: Ages 9-12 Maria is a girl caught between two worlds: Puerto Rico, where she was born, and New York, where she now lives in a basement apartment in the barrio. While her mother remains on the island, Maria lives with her father, the super of their building. As she struggles to lose her island accent, Maria does her best to find her place within the unfamiliar culture of the barrio. Finally, with the Spanglish of the barrio people ringing in her ears, she finds the poet within herself. In lush prose and spare, evocative poetry, Cofer weaves a powerful novel, bursting with life and hope.

Themes: Identity, Family, Community, Clashing Cultures

Classroom Implications: Poetic novels are a wonderful addition to classroom libraries. They build off of the alluring nature of poetry and reframe it in the context of a novel. Judith Ortiz Cofer is a must-have author in the classroom and speaks to the Puerto-Rican/American experience.

Judith Ortiz Cofer has an interesting outlook on language and identity. This excerpt may be an enriching addition to use with students while reading her works:

"People ask me: If I am a Puerto Rican writer, why don't I write in Spanish?" noted poet, essayist, and author Judith Ortiz Cofer in the online publication, The Global Education Project. "Isn't writing in English a sellout? I respond that English is my literary language. The language of the country my parents brought me to. Spanish is my familial language, that lies between the lines of my English language. Because I am a daughter of the Puerto Rican diaspora, English gives life to my writing." (http://www.answers.com)

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The Tequila Worm by Viola Canales

Summary: Gr. 6-9. From an early age, Sofia has watched the comadres in her close-knit barrio community, in a small Texas town, and she dreams of becoming "someone who makes people into a family," as the comadres do. The secret, her young self observes, seems to lie in telling stories and "being brave enough to eat a whole tequila worm." In this warm, entertaining debut novel, Canales follows Sofia from early childhood through her teen years, when she receives a scholarship to attend an exclusive boarding school. Each chapter centers on the vivid particulars of Mexican American traditions--celebrating the Day of the Dead, preparing for a cousin's quinceanera. The explanations of cultural traditions never feel too purposeful; they are always rooted in immediate, authentic family emotions, and in Canales' exuberant storytelling, which, like a good anecdote shared between friends, finds both humor and absurdity in sharply observed, painful situations--from weathering slurs and other blatant harassment to learning what it means to leave her community for a privileged, predominately white school. Readers of all backgrounds will easily connect with Sofia as she grows up, becomes a comadre, and helps rebuild the powerful, affectionate community that raised her. Gillian Engberg Copyright © American Library Association. All rights reserved

Themes: Leadership, Family, Traditions, Identity, Community, Privilege, Prejudice

Classroom Implications: This book speaks to the development of a child's identity within her Mexican-American heritage. Many traditions are interwoven through the text that help celebrate and educate around Mexican-American traditions. The book is entertaining, but also delicately tackles white privilege and prejudice. This notion of white privilege is also covered in Woodson's If You Come Softly and would make an interesting parallel text for this piece.

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Before We Were Free by Julia Alvarez

Summary: (Ages 12+) What would life be like for a teen living under a dictatorship? Afraid to go to school or to talk freely? Knowing that, at the least suspicion, the secret police could invade your house, even search and destroy your private treasures? Or worse, that your father or uncles or brothers could be suddenly taken away to be jailed or tortured or killed? Such experiences have been all too common in the many Latin American dictatorships of the last 50 years. Author Julia Alvarez (How the Garcia Girls Lost Their Accents) and her family escaped from the Trujillo regime in the Dominican Republic when she was 10, but in Before We Were Free she imagines, through the stories of her cousins and friends, how it was for those who stayed behind.

Twelve-year-old Anita de la Torre is too involved with her own life to be more than dimly aware of the growing menace all around her, until her last cousins and uncles and aunts have fled to America and a fleet of black Volkswagens comes up the drive, bringing the secret police to the family compound to search their houses. Gradually, through overheard conversations and the explanations of her older sister, Lucinda, she comes to understand that her father and uncles are involved in a plot to kill El Jefe, the dictator, and that they are all in deadly peril. Anita's story is universal in its implications--she even keeps an Anne Frank-like diary when she and her mother must hide in a friend's house--and a tribute to those brave souls who feel, like Anita's father, that "life without freedom is no life at all." --Patty Campbell

Themes: Oppression, Activism, Family, Membership, Identity, Resistance

Classroom Implications: This book takes a different spin on identity and immigration by telling the story of those left behind. This novel is to be appreciated for its honest look at Latin American dictatorships and the impact they have on families, advocacy and identity. This book can move through different themed book clubs: realistic fiction, social issues, and even possibly historical fiction. Lower level readers can help access this text by listening to the audio version.

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Finding Miracles by Julia Alvarez


Summary: Grade 6-9–In spite of her family's openness, Milly Kaufman has never wanted to talk about her adoption. However, during ninth grade, Pablo Bolívar, a refugee from an unnamed Central American country, joins her class and immediately identifies her as someone who might have come from his family's hometown. Then, her grandmother attempts to make a will that differentiates between her and her siblings. While her mother and father's angry reaction makes the woman back down, their increasingly close relationship with Pablo's family makes it impossible for Milly to stop thinking about the parents who gave her up and the war-torn nation she came from. When that country's dictator is deposed in a democratic election, the Bolívars go home to visit and invite Milly along. There she discovers a world quite different from her Vermont home, an extended family, a boyfriend in Pablo, and several possible sets of birth parents. She realizes, too, how much she loves her own family, and they join her for a grand reunion. The strength of this book lies in its description of adoption issues–Milly's feelings of abandonment and difference and her sister's fear that Milly's increased identification as Latina will destroy their close relationship. However, the plot is contrived to help Milly find her identity, and the characters never really come alive. The home country has been stripped of any identifying characteristics that might make the setting interesting. Still, readers interested in this subject will be pleased with the satisfying resolution.–Kathleen Isaacs, Edmund Burke School, Washington, DC Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Themes: Adoption, Family, Identity, Heritage, Abandonment, Belonging, Hybrid Identities

Classroom Implications: Becoming Naomi Leon iimmediately comes to mind when the character in this book struggles with a piece of her identity that lingers in her native country. Alvarez carefully explores relationships in this book--relationships between characters, countries and identities.

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How Tia Lola Came to Stay by Julia Alvarez

Summary: (Ages 9 to 12) Amazon.com Review With her brilliantly hued flower-print dresses, her maracas and tambor, and the migrating beauty mark over her lipsticked mouth, Tia Lola stands out in Vermont like a tropical bird in a snowstorm. Her nephew, 10-year-old Miguel, just wants to fit in to his new home. He and his mother and sister have just moved here from New York following his parents' divorce. With his black hair and brown skin, it's hard enough already without the flamboyant antics of his friendly, nutty aunt, visiting from the Dominican Republic. But even while she is dancing her merengues in front of his new friends and painting the white farmhouse purple, Tia Lola is also weaving a magical spell of love and support that Miguel and his wounded family sorely need. Miguel's growing appreciation for his crazy aunt's ways, and the entire town's admiration and respect for an outsider who, without even speaking the same language, wins the hearts of all, is a funny, uplifting story. Julia Alvarez is the author of many award-winning novels, including How the Garcia Girls Lost Their Accents and In the Time of the Butterflies, and the picture book The Secret Footprints. She writes with a warmth and humor that crosses all boundaries. --Emilie Coulter

Themes: Family, Identity, Membership

Important Links:
Author's Bio
Complete List of Author's Works
Book in Spanish

Classroom Implications: Julia Alvarez's books typically work best with upper-level readers in 8th grade classrooms. However, this book fits very nicely with younger readers, ages9-12. This book could bridge readers into Alvarez'a more difficult books.

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Beauty: A Retelling of the Story of Beauty and the Beast by Robin McKinley

Summary: Ages 9-12 Amazon.com Review This much-loved retelling of the classic French tale Beauty and the Beast elicits the familiar magical charm, but is more believable and complex than the traditional story. In this version, Beauty is not as beautiful as her older sisters, who are both lovely and kind. Here, in fact, Beauty has no confidence in her appearance but takes pride in her own intelligence, her love of learning and books, and her talent in riding. She is the most competent of the three sisters, which proves essential when they are forced to retire to the country because of their father's financial ruin.

The plot follows that of the renowned legend: Beauty selflessly agrees to inhabit the Beast's castle to spare her father's life. Beauty's gradual acceptance of the Beast and the couple's deepening trust and affection are amplified in novel form. Robin McKinley's writing has the flavor of another century, and Beauty heightens the authenticity as a reliable and competent narrator.

This was McKinley's first book, written almost 20 years ago. Since that time she has been awarded the Newbery Medal for The Hero and the Crown and has delighted her fans with another retelling of the Beauty and the Beast fable, Rose Daughter. Still, McKinley's first novel has a special place in the hearts of her devoted readers, many of whom attest to relishing Beauty time and again.

Possible other texts:
Classroom Implications: McKinley's first book, Beauty, provides an excellent starting point for students to dive into a fantasy study. McKinley also chooses strong female narrators and points of view for her characters, an added plus in fantasy.

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A Swiftly Tilting Planet by Madeleine L'Engle

Summary: (Ages 9 and older) Fifteen-year-old Charles Wallace Murry, whom readers first met in A Wrinkle in Time, has a little task he must accomplish. In 24 hours, a mad dictator will destroy the universe by declaring nuclear war--unless Charles Wallace can go back in time to change one of the many Might-Have-Beens in history. In an intricately layered and suspenseful journey through time, this extraordinary young man psychically enters four different people from other eras. As he perceives through their eyes "what might have been," he begins to comprehend the cosmic significance and consequences of every living creature's actions. As he witnesses first-hand the transformation of civilization from peaceful to warring times, his very existence is threatened, but the alternative is far worse. The Murry family, also appearing in A Wind in the Door and Many Waters, acts as a carrier of Madeleine L'Engle's unique message about human responsibility for the world. Themes of good versus evil, time and space travel, and the invincibility of the human spirit predominate. Even while she entertains, L'Engle kindles the intellect, inspiring young people to ask questions of the world, and learn by challenging. --Emilie Coulter

First Sentence:
The big kitchen of the Murrys' house was bright and warm, curtains drawn against the dark outside, against the rain driving past the house from the northeast.


Classroom Implications: Students can really study the themes of good vs. evil with the L'Engle books. These books are essentials for students to read in their reading lives, and a book club would be an excellent way to incorporate these texts into the lives of students.

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Touching Spirit Bear by Ben Mikaelsen

Summary: (Ages 12 and older) Cole Matthews is angry. Angry, defiant, smug--in short, a bully. His anger has taken him too far this time, though. After beating up a ninth-grade classmate to the point of brain damage, Cole is facing a prison sentence. But then a Tlingit Indian parole officer named Garvey enters his life, offering an alternative called Circle Justice, based on Native American traditions, in which victim, offender, and community all work together to find a healing solution. Privately, Cole sneers at the concept, but he's no fool--if it gets him out of prison, he'll do anything. Ultimately, Cole ends up banished for one year to a remote Alaskan island, where his arrogance sets him directly in the path of a mysterious, legendary white bear. Mauled almost to death, Cole awaits his fate and begins the transition from anger to humility.

Ben Mikaelsen's depiction of a juvenile delinquent's metamorphosis into a caring, thinking individual is exciting and fascinating, if at times heavy-handed. Cole's nastiness and the vivid depictions of the lengths he must go to survive after the (equally vivid) attack by the bear are excruciating at times, but the concept of finding a way to heal a whole community when one individual wrongs another is compelling. --Emilie Coulter

Themes: Survival, Tradition, Anger and Redemption, Healing

Classroom Implications: This may be more fitting in the social issues book category, but the symbolic image of the bear compelled me to place it under Fantasy. It makes a good match with Hatchet and Bang!, both being survival stories but in different contexts. It is also a great CONTEMPORARY Native American book to have in the classroom.

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Switchers by Kate Thompson

Summary: Tess has a secret that keeps her apart from others: she can change into an animal at will. Disturbed when scruffy Kevin keeps following her after school, Tess wonders what he wants from her, and why an arctic front is sweeping over the globe, causing a blizzard in Dublin in September. Then she learns that Kevin shares her gift, and they set out across Ireland, disguised as rats, and guided by fellow rats to "little old lady" Lizzie. The eccentric woman sends them on a quest north to stop the krools, ravenous monsters responsible for the Earth's ice ages. The pair races against time (Kevin is about to turn 15, when all Switchers have to choose their final form) and U.N. warplanes seeking alien invaders, to halt the global icing. In occasionally poetic language (which may need some explaining to younger readers), Thompson interweaves elements from mythology and science fiction with insights into animal nature to create a coming-of-age fantasy that, like Peter Pan, ends with an open window and, for many readers, a lump in the throat. Copyright 1998 Reed Business Information, Inc.

Themes: Identity, Adventure

Classroom Implications: This text does have a nice blend of mythology and science fiction that combines to create a fantasy novel best used with lower level readers in a middle school classroom. Students can explore the genre of fantasy by examining the symbols and themes of the novel.

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The New Policeman (Costa Children's Book Award ) by Kate Thompson

Summary: Grades 7-10 Heart-pounding Irish music is the common ground between material and magical worlds in this ambitious fantasy, which begins in western Ireland. When J. J. Liddy is 15, his mother jokingly asks for a birthday present of more time. From an eccentric neighbor, J. J. learns to his astonishment that his mother's request may not be impossible to fill. Bravely venturing into an alternate fairy world, J. J. takes on a thrilling, epic quest in which he confronts dark family rumors and tries to repair a cosmic time leak between his world and "the land of eternal youth." Thompson packs her mesmerizing, chaotic novel with Irish culture (including phrases defined in a glossary), interconnected mysteries, and sly questions about the stresses of contemporary life and the age-old frictions between religion and folklore. Readers will quickly overlook any creaky plot connections and fall eagerly into the rich, comic language and the captivating characters and scenes, particularly those that feature musicians (including talented J. J.), who play the "wild, anarchic music" that bridges worlds. Musical scores for Irish tunes (some written by Thompson) close each chapter in this soulful, wildly imagined tale that has already won several British awards, including the Guardian Children's Book Prize and the Whitbread Children's Book Award. Suggest it to fans of O. R. Melling's The Hunter's Moon (2005) and Eoin Colfer's Artemis Fowl books. Gillian Engberg Copyright © American Library Association. All rights reserved

Excerpt:
'Brilliant timing,' she said. 'Tea's just made.'

But J.J. walked straight past the pot, which steamed on the range in the kitchen, and the plates of fresh scones on the table. Upstairs in his room, his schoolbag lay open on his bed, leaking overdue homework. He glanced at the clock. If he got up half an hour early the next morning he could get a bit of it done.

He spilled the bag and its contents onto the floor, and as he set the alarm he wondered, as he wondered every day, where on earth all the time went.
--from THE NEW POLICEMAN


Classroom Implications: This 2007 release is a great pick for a fantasy book club in 7th or 8th grades. The language is beautiful and students can unpack the genre, studying theme, symbolism and descriptive language.

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Invisible Allies: Microbes That Shape Our Lives (Bccb Blue Ribbon Nonfiction Book Award by Jeanette Farrell

Summary: Gr. 6-9. The author of Invisible Enemies (1998), Farrell now offers a fascinating, broad-ranging and imminently readable book on the beneficial roles of microbes. After stating some amazing facts about microbes and advising readers against "running, somewhat futilely, for a bar of soap," the introduction provides a vivid picture of Antony van Leeuwenhoek's discovery of microorganisms in 1676. The chapters that follow consider beneficial microbes in the production of bread, cheese, and chocolate as well as their vital role in the gut, where they break down certain foods, kill harmful microbes, and enable certain genes in the intestines to maximize digestion. Finally, Farrell explains the process by which microbes dispose of human waste in sewage treatment plants, noting that they are also used to clean up oil spills and toxins in the environments. Illustrations include photos as well as interesting archival material. Without talking down to her audience or hyping the grosser aspects of the subject, Farrell presents what is known about beneficial microbes and acknowledges the ongoing study of these amazing life-forms. Carolyn Phelan Copyright © American Library Association. All rights reserved

Teaching Points: Prediction (Skill)-->Students can examine the roles that microbes play in our world. Student begin with a microbe (cause) and trace the effect it has on the world (effect). By studying this cause and effect relationship, students can use the relationship to make predictions. For instance, students can examine what would happen to the world in the absence of certain microbes.

Classroom Implications:
This text would match well with Invisible Enemies and New York Times Deadly Invaders, especially if the students are in nonfiction book clubs. These nonfiction pieces make great additions to information contained in novels.

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What Are You?: Voices of Mixed-Race Young People by Pearl Fuyo Gaskins (Editor)

Summary: Grade 8 Up-In this sensitive, thoughtful collection of interviews, essays, and poetry, over 40 young adults ranging in age from 14 to 26 relate their experiences growing up in the United States. Their racial identities represent a wide blend of cultures: European, African, Asian, Native American, Jewish, Arabic, Caribbean, Hispanic, and Pacific Islander. Arranged thematically with occasional author notes offering clarification and transition, the primarily upbeat testimonies address issues of discrimination, dating, family dynamics, and self-esteem. The contributors have had to respond to prejudice both inside and outside their own ethnic groups in addition to universal problems, such as financial worries, divorce, parent and sibling conflicts, and academic pressures. Although American society challenged them to "check one box," declaring the race they belong to, they have resisted categorization, seeking instead to understand and express the rich blend that is their personal heritage. They have drawn strength and optimism from a support network provided by family members, organizations, and/or advocacy groups. A helpful resource section includes annotated lists of affinity and advocacy groups and Web sites, as well as relevant fiction and nonfiction books, magazines, and movies and videos. While underscoring the complexity of the mixed-race experience, these unadorned voices offer a genuine, poignant, enlightening and empowering message to all readers.Gerry Larson, Durham School of the Arts, NC Copyright 1999 Reed Business Information, Inc.

Themes:
Identity, Hybrid Identities, Classification

Classroom Implications: Students will be drawn to this book of nonfiction writing because of the authentic expressions of identity that are included in this complication. This nonfiction collection adds another layer of identity exploration middle school students should be engage in during their young adult years.

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New York Times Deadly Invaders: Virus Outbreaks Around the World, from Marburn Fever to Avian Flu by Denise Grady

Summary: Grade 7 Up–This readable and riveting text introduces students to the new age of viral epidemics. Grady begins with an account of her trip to Angola in 2005 to cover an outbreak of Marburg fever as a reporter for the New York Times. Her writing is informative and compelling. She persuasively relays the challenges of fighting a viral epidemic in a city that lacks such basic services as running water. The medical professionals also had to cope with language barriers and cultural differences. Grady clearly conveys the difficulties of confining and halting the spread of diseases in an age in which air travel makes it possible for an infected individual to spread a disease worldwide in a matter of hours. A map shows how one person infected with the SARS virus infected 400 individuals from around the globe while staying at a hotel in China. Boxed areas highlight information and individuals. For instance, one profiles Maria Bonino, an Italian pediatrician who died of Marburg during the outbreak. The layout is appealing and includes good-quality, full-color, relevant photographs on almost every spread. After relaying her experiences reporting on the Marburg outbreak, Grady profiles other deadly diseases, including Avian Flu, HIV and AIDS, SARS, and West Nile. A fast-paced, timely, and important book.–Maren Ostergard, King County Library System, Issaquah, WA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Teaching Points: Determining Importance (Skill)-->Create a T-chart with one side writing the fact and the accompanying side writing how that fact helps them understand the subject better and/or why the fact is important to the whole picture (Strategy).

Classroom Implications: Students could work on the skills: determining importance and predicting while reading and using this text. This text also would
match well with Invisible Enemies and Invisible Allies.

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Bang! by Sharon G. Flake

Summary: Grade 7 Up–Even though random shootings have become increasingly common in his neighborhood, Mann is horrified when his little brother is gunned down while playing on his own front porch. Two years later, the 13-year-old and his parents are still struggling with their grief. His father believes that if he had been less loving and protective, Jason might have been tougher and capable of avoiding the shot. Mann and his friend Kee-lee keep track of the shooting deaths around them, certain that their own time may come and make them nothing more than numbers on their list. Influenced by ancient African coming-of-age rituals in which young boys are sent into the wilderness to attempt to survive, Mann's father takes him and Kee-lee camping and abandons them far from home. For two urban teens with little food or money, this is a dangerous, frightening experience that leads to crime and violence. After the boys make their treacherous way back home, Mann's father turns him out to live on the streets, determined he will not lose another son because he is too soft. This disturbing, thought-provoking novel will leave readers with plenty of food for thought and should fuel lively discussions.–Ginny Gustin, Sonoma County Library System, Santa Rosa, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Themes:
Survival, Ethnic History, Coming of Age—male, Urban Struggles

Classroom Implications: Makes a good choice for a male book club or provides an additional male perspective on coming of age in an urban setting. This is available on audio to support lower level readers. Flake writes to capture the attention of her young adult audience. She is successful with writing literature that students have an easy time making connections with the text and the characters. Bang!
could also be in interesting match with Hatchet or Spirit Bear, both outdoor survival stories with male narrators.

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