Children's Book List

Something Beautiful by Sharon Dennis Wyeth

2007-04-29T10:00:00.000-05:00

Summary: This moving picture book offers a shining testament to the ability of human beings to find "something beautiful" in even the most unlikely places. An African American girl initially sees only the ugliness of her neighborhood. There is "trash in the courtyard and a broken bottle that looks like fallen stars." On her front door, someone has scrawled the word "DIE," and a homeless lady "sleeps on the sidewalk, wrapped in plastic." Searching for something beautiful?"something that when you have it, your heart is happy"?she polls various neighbors. For an old man it is the touch of a smooth stone; for Miss Delphine, it's the taste of the fried fish sandwich in her diner; for Aunt Carolyn, it's the sound of her baby's laugh. When the girl decides to create her own "something beautiful," she picks up the trash, scrubs her door clean and realizes, "I feel powerful." Wyeth's (Always My Dad) restrained text is thoughtful without being didactic. She creates a city landscape that is neither too dark nor too sweet; and her ending is just right, with the heroine's mother saying that her daughter is her "something beautiful." Soentpiet's (Peacebound Trains) paintings are luminously lifelike. Whether depicting the girl running past a chain-link fence in a dark alley or Miss Delphine's patrons sitting beneath the rows of glinting glasses, the paintings focus on a community with characters so real, readers can almost feel the sunlight on their faces. All ages. Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Classroom Implications: This book resonates with urban community members and echos the salient point of community action. It offers a different perspective to preserving our environment by marking the importance of preserving ALL environments. It combines concepts of community organizing, social action and environmentalism. I also like the cover because it implies finding beauty in personal identities, as well as communities. This is an important image for our students to see, view and discuss, especially in regards to how community identity mirrors personal identity.

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Black and White by David Macaulay

2007-04-29T09:51:00.000-05:00

Summary: Publishers Weekly: At first glance, this is a collection of four unrelated stories, each occupying a quarter of every two-page spread, and each a slight enough tale to seem barely worth a book--a boy on a train, parents in a funny mood, a convict's escape and a late commuter train. The magic of Black and White comes not from each story, however, but from the mysterious interactions between them that creates a fifth story. Several motifs linking the tales are immediately apparent, such as trains--real and toy--and newspapers. A second or third reading reveals suggestions of the title theme: Holstein cows, prison uniform stripes. Eventually, the stories begin to merge into a surrealistic tale spanning several levels of reality, e.g.: Are characters in one story traveling on the toy train in another? Answers are never provided--this is not a mystery or puzzle book. Instead, Black and White challenges the reader to use text and pictures in unexpected ways...no other writer for adults or children explores this unusual territory the way Macaulay does. All ages. Copyright 1990 Reed Business Information, Inc.

Classroom Implications: This post modern text requires sophisticated reading strategies for students to synthesize the information presented in the text. Multiple plotlines interweave simultaneously and blend together using the actual text and the illustrations. One suggested teaching point is to assign groups of students one plot to follow, therefore kids can jigsaw the story together (this aids with synthesizing).

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Just a Dream by Chris Van Allsberg

2007-04-29T09:45:00.000-05:00

Summary: Two-time Caldecott Medalist Van Allsburg reaches a new pinnacle of excellence in both illustration and storytelling in his latest work. Since his first book, The Garden of Abdul Gasazi, appeared just over a decade ago, he has spun many strange and fantastic modern fairy tales, all of which spill over the edge of reality into magnificent dreamscapes. Here Van Allsburg introduces Walter, a boy who imagines the future as a marvelous time, with tiny airplanes that can be parked on the roof of your house and robots that take care of all your work for you. In the present, however, Walter is a litterbug who can't be bothered to sort the trash for recycling and laughs at Rose, the girl next door, because she receives a sapling for her birthday. One night, when Walter goes to sleep, his bed travels to the future. But he finds neither tiny airplanes nor robots, only piles of trash covering the street where he used to live, acres and acres of stumps where forests used to stand, rows and rows of great smokestacks belching out acrid smoke, and many other environmental nightmares. Van Allsburg renders each of these chilling scenarios in elaborate, superbly executed two-page spreads that echo the best work of M. C. Escher and Winsor McKay (creator of the Little Nemo comic strips). Walter and his bed land right in the middle of the action in each of these hallucinatory paintings, heightening the visual impact and forcing a hard look at the devastation surrounding Van Allsburg's protagonist. An awakened Walter, jolted by his dream, changes his ways: he begins to sort the trash and, like Rose, plants a tree for his birthday. Then his bed takes him to a different future, one where people tend their lawns with powerless mowers and where the trees he and Rose have planted stand tall and strong beneath a blue sky. Not only are Just a Dream 's illustrations some of the most striking Van Allsburg has ever created, but the text is his best yet. Van Allsburg has sacrificed none of the powerful, otherworldly spirit that suffuses his earlier works, and he has taken a step forward by bringing this spirit to bear on a vitally important issue. His fable builds to an urgent plea for action as it sends a rousing message of hope. All ages. Copyright 1990 Reed Business Information, Inc.

Cross Curricular Connections: This is really a book with an environmental twist. This fantasy picture book would make a nice pair with Home or Window by Jeannie Baker.

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The Sweetest Fig by Chris Van Allsberg

2007-04-29T09:39:00.000-05:00

Summary: Grade 3 Up-Another quietly bizarre and stunning picture book from Van Allsburg. In this modern fairy tale, a Parisian dentist (a prissy and sadistic man who even hates his own dog) is given two magic figs by an old woman who tells him, "'They can make your dreams come true.'" Bibot scoffs. However, after the first fig proves to do exactly that (in a scene in which the dentist walks down the street in his underwear, and then the Eiffel Tower droops over), he realizes how precious they are. Night after night, he hypnotizes himself into dreaming that he is the richest man on earth. Finally, he prepares to eat the second fig. But his dog, Marcel, beats him to it, and the following morning, the dentist wakes up as the helpless pup under a bed, with his own face calling to him, "'Time for your walk. Come to Marcel.'" The Sweetest Fig is a superb blend of theme, language, and illustration, with a very grabbing plot as well. The writing is formal yet direct, using simple, deliberate vocabulary to match the elegant setting and mood. The shades of gray, cream, and brown and the calm, stable design enhance this mood. The angle at which readers view scenes is always intriguing and heightens their involvement. Most children old enough to read this complex book on their own will be fascinated and will return to it again and again. Van Allsburg at his best.
Lauralyn Persson, Wilmette Public Library, IL
Copyright 1993 Reed Business Information, Inc.

Classroom Implications: This text is great to teach point of view and perspective due to the sudden shift at the end of the book. It also lends itself well to characterization and cause and effect concepts.

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The Mysteries of Harris Burdick by Chris Van Allsberg

2007-04-29T09:19:00.000-05:00

Summary: This book is a collection of illustrations that resemble old photographs of surreal events and images. Each illustration has an accompanying title and quote that entice the reader to image a plot for the picture. The premise of the book is that a man named Harris Burdick dropped off a sample of his work to a publisher to consider publishing. The sample only includes illustrations with these enticing titles and quotes. The publisher discloses that the artist never returned again. The publisher finds this so compelling, he ends up making a book out of this mystery.

Classroom Implications: The book is set up with a long author's note to the reader, thereby creating a very "real" feeling for this fictitious book. I've used this book over and over when teaching short stories and have ALWAYS led on that the story is "real" with my middle schoolers. They instantly become intrigued with the mystery and look forward to writing stories that accompany the illustration and the quotes. This text is a fantastic wordless fantasy book that serves as inspiration for writing projects in the classroom!

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Text Excerpts:

Home by Jeannie Baker

2007-04-28T23:40:00.000-05:00

Summary: K-Gr. 3. This wordless picture book with exquisitely detailed collage illustrations speaks eloquently about urban conservation. Every double-page spread is a view through the same window, a view that changes over a generation, beginning with a couple expecting a baby and continuing as the baby grows up, is courted, and is married in the neighborhood street. At first the sprawl and smog nearly smother the view, but gradually the place changes. The community brings back a variety of local plants, and by the time the young woman's own baby is born, trees block the billboards, there are birds on the roof and in the sky, and cyclists and a bus can be seen on the roadway. Suddenly, there's a glimpse of the river in the distance, a dragonfly on the windowsill, and the full moon shines at night. Unlike some collage art, the technique here never gets in the way. The details show and tell a story about the small things in one neighborhood--their fragility, strength, and connection--and their power to make a difference. With each look at the pictures, there's more to see in the crowded neighborhood that is transformed into a wild and beautiful place. Hazel Rochman Copyright © American Library Association. All rights reserved

Classroom Implications: This is a great companion piece with Baker's other book, Window. It takes the opposite look at development and the environment. It starts with an urban decay of a scene. With time, care, and community effort, the city-scape transforms into something beautiful. It would also be a picture book to support Paul Fleishman's book Seedfolks, which is based on social action, community and gardening.

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Zoom by Istvan Banyai

2007-04-28T23:18:00.000-05:00

Summary: From Booklist:Grades 3-8. Beginning with a close-up of a rooster's comb, each picture zooms out to give a more distant perspective; for example, the "camera" zooms out to show increasingly distant figures of children watching the rooster. Then, a large hand appears, showing that the scene was not depicting a real farm, but a toy farm set. But zoom out a few more times, and the scene reveals that the picture of the girl playing with the farm set is really on the magazine held by a boy, who's sleeping in a chair, which is by a pool, which is on an ocean liner, which is out at sea--no, wait--that picture is on a cruise-line poster on the side of a city bus, but that picture is on a television screen in the Arizona desert . . . and so on until the earth is shown from above, growing smaller with each turn of the page. The final scene is one white dot on a black page. Clear-cut paintings outlined in ink appear on each right-hand page; the left-hand pages are black. Not a story, but an "idea" book, it makes the viewer ask, "What am I really seeing here?" This clever picture book could be intriguing..., depending on the viewer's frame of mind, but children will find it worth a look. Once, anyway. Carolyn Phelan

Sequel Information: Re-Zoom
Summary: From Publishers Weekly:Re-Zoom resumes, or more accurately, reprises, the layout and nothing-is-as-it-seems perspective of last season's Zoom. Featuring detailed drawings backpainted on animation cels, this text-free volume opens with a red-on-blue cave painting that, with the turn of a page, becomes a detail on a wristwatch. The next spread reveals that the watch belongs to a young man doing a rubbing of carved hieroglyphs... and so on. To surprise his audience, which may already expect the sequence of pictures to expand to infinity, as in Zoom, Banyai toys not only with spatial relations but with time and with cultural referents: people in 19th-century garb, admiring an image of Napoleon, turn out to be on a movie set; a woman in traditional Japanese dress sports a yellow Walkman. There are nods to the arts as well. A black-and-white Alfred Hitchcock and a blue bodhisattva sit astride a thundering elephant, and a dejected-looking Picasso rides the New York City subway. The finale-which leaves readers in a subway tunnel as the train's red taillights recede-may not be as mindbending as Zoom's outer-space flight, but is nonetheless a clever solution. All ages. Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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The Other Side by Istvan Banyai

2007-04-28T23:06:00.000-05:00

Summary: Grade 6 and Up–There's nothing mundane or predictable about Banyai's wordless picture book. As in Zoom and Re-Zoom (both Viking, 1995), the illustrator takes his audience on a visual journey that begins with a nearly blank page that, when turned, reveals instructions for folding a paper airplane. On the next page, a girl in her high-rise apartment practices her cello and a paper airplane can be seen outside her window. Readers flip the page to see the girl's building from the outside looking in. Paper airplanes are everywhere, thanks to a young neighbor one floor up who has been practicing his folding skills. Each pair of pages, front and back, presents inside and outside views, and although the scenes are not obviously linked to a larger plotline, they are connected through reoccurring images, colors, and themes. This is a challenging book, one that allows for creative speculation. The graphite-rendered artwork is quirky as well as infinitely interesting. Not everyone will get the sly humor, or be prepared to indulge in a book that demands such work. However, those who give it a try will be drawn into a thought-provoking, whimsical world. It's a book that begs to be talked about, and teachers will find it a useful tool for discussions about point-of-view and perspective.–Carol L. MacKay, Camrose Public Library, Alberta, Canada Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Notable Information: This text would be most efficiently used in an upper grade classroom. The way the story builds off of the perspective shifts is highly complex. It is a highly usable text to teach perspective, point of view and symbolism. The Other Side would also pair nicely with a writing activity based around the perspectives of the text. Students could also develop complex conceptual ideas that could become literary essays.

Text Excerpt:

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The Red Book by Barbara Lehman

2007-04-28T22:34:00.000-05:00

Summary: Kindergarten and Up: In this wordless mind trip for tots, Lehman develops a satisfying fantasy in a series of panels framed with thick white borders. The effect is of peering through portals, an experience shared by the characters as they independently stumble across enchanted red books that provide them with a videophone-like connection. Though wordless picture books often seem to be the province of fine artists indulging in high-concept braggadocio (as in Istvan Banyai's 1995 Zoom), Lehman's effort ensures child appeal with an unaffected drawing style and a simple, easy-to-follow story line about a friendship forged between a city girl and a faraway island boy. The message about the transporting power of story will moisten the eyes of many adult readers, but children will most appreciate the thought-provoking visuals, in which characters' actions influence the course of their own storybook narratives--likewise affecting the larger "red book," cleverly packaged to mimic the shape and color of its fictional counterpart. Ideal for fueling creative-writing exercises. Jennifer Mattson Copyright © American Library Association. All rights reserved

Classroom Implications: This post-modern, book within a book, plays with perspective like Flotsam or Zoom. The Red Book deconstructs the common picture book motif, where the characters seem to affect and create the story as the pages turn. The wonderful teaching point this book carries is that character's actions influence the course of the story. This is an essential element of reading and writing to expose students to in the classroom. Kids in the upper grades can take advantage of this wordless text and use the pictures to create their own story.

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Window by Jeannie Baker

2007-04-28T22:26:00.000-05:00

Summary: Grade 1 Up-- A mother, holding her newborn son, gazes out the window of his room at lush vegetation, tropical birds, a pond, a kangaroo. Ten double-page illustrations following show the development--during a 20-year period--of the area outside the window. As Sam (the baby) grows older, the land is cleared, a road is built, then a farm. A housing development goes up, then takes over a hill that was once green with lush growth. Development becomes suburb, then city, complete with billboards, high-rises, noise pollution, litter, and overpopulation. Sam marries and moves to a new house in the country, where the final window scene shows him, holding his baby, staring at a sign announcing, "House Blocks For Sale". Words are unnecessary, as Baker's carefully rendered collage scenes explicitly detail the situation. Varying symbolic objects on Sam's windowsill (and the cracking and peeling of paint on the wall) add to the book's message. Baker's meticulous collages, formed from natural materials, clay, fabric, and real hair, are so detailed that they require many viewings. A final, short author's note explains the inspiration for the book: ". . .by understanding and changing the way we personally affect the environment, we can make a difference." This unusual, exceptionally well-crafted picture book might be a good way to begin. --Susan Scheps, Shaker Heights Public Library, OH Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Curricular Connections: This text can be used in a science classroom where students study the effect of development on indigenous ecosystems. It is a crucial outlook and environmental perspective that should be support with today's youth.

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Maus a Survivors Tale: My Father Bleeds History by Art Spiegelman

2007-04-27T14:35:00.000-05:00

Summary: Some historical events simply beggar any attempt at description--the Holocaust is one of these. Therefore, as it recedes and the people able to bear witness die, it becomes more and more essential that novel, vigorous methods are used to describe the indescribable. Examined in these terms, Art Spiegelman's Maus is a tremendous achievement, from a historical perspective as well as an artistic one.

Spiegelman, a stalwart of the underground comics scene of the 1960s and '70s, interviewed his father, Vladek, a Holocaust survivor living outside New York City, about his experiences. The artist then deftly translated that story into a graphic novel. By portraying a true story of the Holocaust in comic form--the Jews are mice, the Germans cats, the Poles pigs, the French frogs, and the Americans dogs--Spiegelman compels the reader to imagine the action, to fill in the blanks that are so often shied away from. Reading Maus, you are forced to examine the Holocaust anew.

This is neither easy nor pleasant. However, Vladek Spiegelman and his wife Anna are resourceful heroes, and enough acts of kindness and decency appear in the tale to spur the reader onward (we also know that the protagonists survive, else reading would be too painful). This first volume introduces Vladek as a happy young man on the make in pre-war Poland. With outside events growing ever more ominous, we watch his marriage to Anna, his enlistment in the Polish army after the outbreak of hostilities, his and Anna's life in the ghetto, and then their flight into hiding as the Final Solution is put into effect. The ending is stark and terrible, but the worst is yet to come--in the second volume of this Pulitzer Prize-winning set. --Michael Gerber

Don't Miss the Sequel: Maus II: A Survivor's Tale: And Here My Troubles Began

Classroom Implications: This book adds a new dimension to a Holocaust study. The graphic novel provides a different angle, a new lens, for students to examine a subject that they may already know a lot about.

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Persepolis by Marijane Satripi

2007-04-27T14:19:00.000-05:00

Summary: Satrapi's autobiography is a timely and timeless story of a young girl's life under the Islamic Revolution. Descended from the last Emperor of Iran, Satrapi is nine when fundamentalist rebels overthrow the Shah. While Satrapi's radical parents and their community initially welcome the ouster, they soon learn a new brand of totalitarianism is taking over. Satrapi's art is minimal and stark yet often charming and humorous as it depicts the madness around her. She idolizes those who were imprisoned by the Shah, fascinated by their tales of torture, and bonds with her Uncle Anoosh, only to see the new regime imprison and eventually kill him. Thanks to the Iran-Iraq war, neighbors' homes are bombed, playmates are killed and parties are forbidden. Satrapi's parents, who once lived in luxury despite their politics, struggle to educate their daughter. Her father briefly considers fleeing to America, only to realize the price would be too great. "I can become a taxi driver and you a cleaning lady?" he asks his wife. Iron Maiden, Nikes and Michael Jackson become precious symbols of freedom, and eventually Satrapi's rebellious streak puts her in danger, as even educated women are threatened with beatings for improper attire. Despite the grimness, Satrapi never lapses into sensationalism or sentimentality. Skillfully presenting a child's view of war and her own shifting ideals, she also shows quotidian life in Tehran and her family's pride and love for their country despite the tumultuous times. Powerfully understated, this work joins other memoirs-Spiegelman's Maus and Sacco's Safe Area Goradze-that use comics to make the unthinkable familiar. Copyright 2003 Reed Business Information, Inc.

Notable Information: This text has the power to convert the non-reader of graphic novels to an avid one! Reviewer after reviewer will testify that he or she sat down to begin the book and didn't get up until they finished. Middle and high school students can experience this, too. By starting them off with reading American Born Chinese, some will be ready to move onto this heavier, more mature text. The text is highly political while still managing to focus on the individual growth and development of the narrator. The reader has to rely heavily on reading between the lines of this text, as well as the illustrations in order to gain the full understanding of the story. Therefore, graphic novels, such as this one, create a rich environment to work on the tough reading and thinking skills of inference and interpretation.

Text Excerpt:

Sequel: Perspepolis II
This sequel begins where the first left off and chronicles the older years of Marji's life. This sequel presents a different subset of issues and best suits high school readers. Be advised: if this book sits next to the first one, the reader will immediately pick it up to find out what happened where the first left off!

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Monsters Are Afraid of the Moon by Marjane Satrapi

2007-04-27T14:09:00.000-05:00

Book Preview: From the Publisher: Poor Marie! Every night as she climbed into bed, she got a visit from three monsters. They only came out in darkness, so she knew they must be afraid of the light. Marie took a huge pair of scissors, and cutting the moon out of the sky, hung it right in her bedroom. No darkness, no monsters!
Her plan worked perfectly, or so she thought . . . but without a moon in the sky, the village cats were in total darkness! They began bumping into everything, and winding up in the hospital. With no cats to chase them, the mice ran amuck. Finally the king found Marie: "You must return the moon to the sky!" he said. But Marie wouldn't agree--not until she was sure those monsters were gone. How could the king make things right for everyone? A delightful tall tale for bedtime or anytime.

Book Review: Children's Literature :Marie has fun all day, but the nights are another story. For then, "three of the scariest monsters who ever lived would come out from the shadows" to torture her. One night, Marie decides that the night monsters must be afraid of the light. She decides to bring the moon, which lights up the night, into her room. After she cuts it out of the sky and puts it in a cage over her bed, the monsters no longer bother her. But with the moon missing, cats all over the village have accidents in the dark, while the rascally rats begin to ruin the town. The Cat King negotiates with Marie. For the release of the moon, Marie receives a cat to guard her bed every night. The charming, imaginative story finds appropriate accompaniment in the very simple illustrations that need few details. Black outlines amusingly depict Marie, the melancholy felines, and the happily cavorting rats. The Cat King is properly regal; the three monsters are a multicolored trio of grimacing bullies whose sharply pointed shadows are menacing. The final picture is a peaceful view of a sleeping Marie and a cat with a watching eye open, and the moon back in the sky.

Notable Information: This protagonist is reminiscent of Marji's voice in Satrapi's graphic memoir, Persepolis. Both are scared of the dark as little girls. This may be an interesting component to read across the two texts, imagining what the monsters might symbolize for the author after reading her memoir.

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One Grain of Rice by Demi

2007-04-27T13:55:00.000-05:00

Summary: Grades 5-8 In artwork inspired by Indian miniatures, Demi fashions a folktale with far-reaching effects. The raja of a rice-growing village orders his subjects to deliver to him the bulk of their harvest; he will keep it safe should a famine occur. A few years later the harvest fails, and so does the raja: "Promise or no promise, a raja must not go hungry,'' he intones. When a young village girl, Rani, returns to the raja some rice that had fallen from baskets laden for his consumption, he offers her a reward. Her request is seemingly modest: a grain of rice on the first day, two grains the next, four grains on the third; each day double the rice of the day before, for 30 days. The raja, though, doesn't grasp the power of doubling. Day 21 garners 1,048,576 grains of rice; on the last day it takes fold-out flaps to show the herd of elephants necessary to convey the rice to Rani, who feeds the masses and extracts from the raja a promise to be more generous. This gratifying story of the disarming of greed provides an amazing look at the doubling process, and a calendar at the end shows how the reward simply grew and grew. (Picture book/folklore.) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

Cross-Curricular Connections: Math is obvious counterpart to the instruction or reading of this book. Kids become captivated by the story, therefore captivated with the concept of doubling. Students can hypothesize around other aspects of their lives that my benefit from doubling, such as reading or writing.

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Buddha by Demi

2007-04-27T13:48:00.000-05:00

Summary: Grade 4 U: A graceful account of Buddha's life, from the prophecies preceding his birth to his death at age 80. Demi is attentive to historical information, legends, and the long and dearly held beliefs about Buddha. She describes his protected royal youth, his search for a way to end suffering, his enlightenment, and his compassionate teaching of the basic tenets of Buddhist faith, the Four Noble Truths and the Eightfold Path. The book also includes several parables, such as the well-known "The Blind Men and the Elephant." In characteristic vibrant colors and shimmering gold, Demi has painted visually engaging illustrations rich in Buddhist symbolism and artistic conventions. The pictures often overflow their gold borders or are set entirely outside their frames, as if floating beyond the confines of this life. The blended, gentle-hued watercolor backgrounds contrast with both the stark white of the pages and with the precise, detailed figures and scenes. The lovely, simple, descriptive language, together with the design and illustrations, combine dynamically so that the whole book is much more than the sum of its parts. Some readers will treasure this title, some will ponder on it, and all will learn from it. Susan Middleton, LaJolla Country Day School, CACopyright 1996 Reed Business Information, Inc.

Notable Information: This piece of narrative nonfiction blends the effect of narrative writing with the information content of nonfiction. The illustrations and language adapt a complex subject into something accessible for younger readers. This nonfiction selection would pair nicely with other stories by Demi or Zen Shorts.

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The Greatest Power by Demi

2007-04-27T13:42:00.000-05:00

Summary: K-Gr. 3. This companion to The Empty Pot (1990) continues the story of the life of Ping, the young emperor who wants to bring harmony to his kingdom. Ping sends all the children in the kingdom on a year-long quest to find the greatest power in the world, telling them, "A wise person must be able to see the unseen and know the unknown." The boys believe the power is great weapons; the girls, great beauty; the students, great technology; and the practical children, great amounts of money. When the children come to show the emperor what they have discovered, the last child in line, a little girl named Sing, remembers Ping's words. She presents a lotus seed as the powerful force of eternal life, and Ping names her the new prime minister. The text and the handsomely designed, richly colored artwork, which is touched with gold leaf, are set within a circular motif that reinforces the idea of eternity. As usual, Demi ably combines striking artwork and a meaningful story, with quiet dignity and wisdom. Julie Cummins Copyright © American Library Association. All rights reserved

Classroom Application: This book has been critiqued by some reviewers to be too conceptually heavy for young readers. The book can be modified and presented in a more concrete way by using it as an instructional read aloud: the teacher focusing on heavy inferring and interpretation as the story unfolds. Students can use their prior knowledge of The Empty Pot to uncover the meaning of this text.

This book is great to be read critically because gender and other classification stereotypes are used to create the story (i.e. the girls saying that beauty is the greatest power).

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The Empty Pot by Demi

2007-04-27T13:32:00.000-05:00

Summary: Grade 1-3-- When the Chinese emperor proclaims that his successor will be the child who grows the most beautiful flowers from the seeds the emperor distributes, Ping is overjoyed. Like the emperor, he loves flowers and anything he plants bursts into bloom. But the emperor's seed will not grow, despite months of loving care, and Ping goes before the emperor carrying only his empty pot. The emperor ignores the beautiful blossoms brought by the other children and chooses Ping, revealing that the seeds he handed out had been cooked and could not grow. This simple story with its clear moral is illustrated with beautiful paintings.

Each page contains a single picture, shaped like a stiff, rounded, paper fan and framed in celadon brocade that subtly changes pattern from one spread to the next. Isometric perspective, traditional Chinese architecture, and landscape motifs are combined with Demi's fine line and lively children and animals. While all the landscapes featuring the emperor and the other children are in brilliant red, gold, and purple, the scenes involving Ping alone are predominantly beige and delicate green. Ping is almost always shown as a solitary figure in contrast to the busy groups of running, smiling children, reinforcing the portrait of him as a quieter, more contemplative person whose values make him a worthy heir to the emperor. A beautifully crafted book that will be enjoyed as much for the richness of its illustrations as for the simplicity of its story. --Eleanor K. MacDonald, Beverly Hills Public Library Copyright 1990 Reed Business Information, Inc

Notable Information: This is a beautiful book to teach theme and the moral of stories. In this story, Ping stays true to himself and in the end, is rewarded. IT is a remarkable story that children and adults will latch onto and want to read again and again.

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Shh! The Whale is Smiling by Josephine Nobisso

2007-04-27T13:24:00.000-05:00

Summary: From Amazon.com: C. Penn "WordWeaving" (Greenville, SC) - Author Josephine Nobisso and illustrator Maureen Hyde bring enchantment to the play of shadows and wind deep in the night in SHH! THE WHALE IS SMILING. As a fierce wind blows outside their home, a sister comforts her brother turning fear of the cold dark into a warm, safe place of imagination. Flying in their bed to the sea, they join a whale swimming among bubbles in a world of their marvelous creation.

The fear of the dark, wind and storms is gently confronted in this imaginative story for children. The dark becomes deep water, movement the swimming of a whale, and wind a part of the mystery of the sea, thereby replacing the fearful with the imaginative. A delightful tale, with fabulously realized illustrations, SHH! THE WHALE IS SMILING comes very highly recommended.

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Text Excerpts:

Moonflute by Audrey Wood

2007-04-27T12:57:00.000-05:00

Summary: Grades 3-6 In this long bedtime mood-piece, a little girl, Firen, accuses the moon of taking her sleep; she resolves to "go out in the night and find it.'' Outside, a moonbeam lands in her hands and becomes a magic flute with which she flies through the night. She encounters creatures of town, sea, and jungle in a dreamlike sequence illustrated in deep greens, blues, and violet. Firen herself has a pixie-ish, flower-fairy look, and is silvery-shiny with moonlight. Susan Patron, Los Angeles Public LibraryCopyright 1987 Reed Business Information, Inc.

Notable Information: This is another dream-like fantasy text that can open the doors into the genre of fantasy. The text is long and more like a short story with illustrations. With this in mind, it makes a stronger text to use in the upper elementary grade classrooms.

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When the Sun Rose by Barbara Berger

2007-04-27T12:05:00.000-05:00

Summary: As in her earlier Grandfather Twilight, Berger has created a picture book dreamscape, full of radiant colors and intriguing possibilities. Alone with her doll in a playhouse, the young narrator receives an unusual visitor who comes calling "in a carriage bright as the sun." The visitor's consort is a lemon-yellow lion who dines on blueberries and cream as the two girls play dolls and paint a rainbow. At day's end, the visitor departs into a glowing sunset, promising to return. Berger's skillful blending of the metaphysical and a child's inner life make this an inspired work of art. Copyright 1986 Reed Business Information, Inc.

Notable Information: This makes a good book to deeply talk about the lasting effects that friendship can have on people.

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Alphabet City by Stephen T. Johnson

2007-04-26T16:09:00.000-05:00

Summary: Grade 1 Up: Beginning with the A formed by a construction site's sawhorse and ending with the Z found in the angle of a fire escape, Johnson draws viewers' eyes to tiny details within everyday objects to find letters. In this wordless tour of sights from Times Square to the Brooklyn Bridge, he invites young and old alike to take a new look at familiar surroundings, discovering the alphabet without ever looking in a book or reading from a sign. Conceived in the tradition of Ann Jonas's work, especially The Thirteenth Clue (Greenwillow, 1992), Johnson's pastel, watercolor, gouache, and charcoal paintings are much more realistic than his illustrations for The Samurai's Daughter (Dial, 1992); in fact, they are almost photographic in appearance. Some of the images are both clever and incredibly clear, e.g., the E found in the sideways view of a traffic light. Others, such as the C in the rose window of a Gothic church, are more obscure. Nevertheless, all of the paintings are beautifully executed and exhibit a true sense of artistic vision. While parents or teachers might assume from the title that this is a traditional alphabet book, they should be encouraged to look at it as an art book. It's sure to inspire older children to venture out on their own walks to discover the alphabet in the familiar objects of their own hometowns. Nancy Menaldi-Scanlan, LaSalle Academy, Providence, RICopyright 1996 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Notable Information: This is a fantastic mix of art, alphabet and wordless picture book! Best used with students already accustomed with the alphabet. Kids can play hide and go seek with the city of New York!

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The Disappearing Alphabet by Richard Wilbur

2007-04-26T15:57:00.000-05:00

Summary: Grade 2-5-Each of these delightful poems, one for each letter of the alphabet, speculates on the disasters that would occur should that letter suddenly disappear. Wilbur is known primarily as a Pulitzer Prize-winning poet and former Poet Laureate of the United States, although some of his poems have been published in books for children, notably Opposites (1991), More Opposites (1991; o.p.), and Runaway Opposites (1995, all Harcourt). The poems presented here were first printed in The Atlantic Monthly magazine. A series of rhyming couplets of varying lengths, they range from the innocently whimsical to the cleverly sophisticated. Diaz uses computer-generated illustrations to add just the right touches to the verses; the images are lush and playful at the same time. This is not an alphabet book for youngsters just learning to read, although children would enjoy hearing it read aloud. More importantly, it invites older children to play with language as it engages their imagination. A winner that belongs in every library.Linda Greengrass, Bank Street College Library, New York City Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Notable Information: This is a great mix between poetry, mystery, and the alphabet. A great pick for an advanced alphabet book in the intermediate grades.

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The Hidden Alphabet by Laura Vaccaro Seeger

2007-04-26T15:50:00.000-05:00

Summary: PreSchool-Grade 2-From the black book jacket with cutout openings for each letter of the title to the vibrant, painterly strokes of yellow on the endpapers, Hidden Alphabet is a visual delight. A black mat frames an object on each page. When it is lifted, each of these objects becomes a significant part of the letter's negative space (e.g., two balloons form circles to make the openings in the letter "B"). This clever trick of changing viewers' perspective from foreground to background will keep readers turning the pages to see the other optical illusions this pictorial byplay produces. Because of the way they are formed, the letters are not always completely conventional in shape. This may challenge very young children to identify them, but readers of any age will enjoy seeing a mouse turn into an "M" made of cheese with a few tiny chunks nibbled out of it. Seeger's interesting word choices-arrowhead, inkblot, olive, partridge, quotation mark, yolk-and her sophisticated paintings make this a fascinating artistic experience as well as a learning opportunity.Laurie Edwards, West Shore School District, Camp Hill, PA Copyright 2003 Reed Business Information, Inc.

Notable Information: I suggest using this book with children that are already accustomed to their letters. This book provides a unique twist on captivating the letters artistically, as well as pairing them with words not normally paired to represent the sound of the letters. This book won the award of the Ala Notable Children's Books for Younger Readers.

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Miss Spider's ABC by David Kirk

2007-04-26T15:32:00.000-05:00

Summary: Celebration is among Miss Spider's friends, and this primer shows party preparations in progress from A to Z: "Bumblebees blow balloons./ Caterpillars circle/ dragonfly decorations." All sorts of insects assist, from moths whose white- and black-spotted wings resemble velvety floor-length capes to termites who tote colorful wrapped presents in their mandibles. At the end of the sequence, Miss Spider floats in on the back of a striped Zebra butterfly and receives a welcoming shout of "Happy Birthday!" from the buggy assembly. Kirk (Miss Spider's New Car) sets the activity in a flowery garden and a hornets' nest; he substitutes gently waving antennae for paper streamers in the closing scene. His dew-bright oil paintings glow with the fluorescent yellow-green of fandango-ing fireflies, shades of backlit midnight-blue and lush lavender-rose hues. Each oversize letter of the alphabet appears near the text, so that readers have an easy reference point as they scan the vivid artwork. Devotees will detect their returning favorites: Holley hides among the "smiling spiders" taking shelter beneath the red roses, and May and Ike greet the termites beside the "very vivid violets." Kirk's witty rhymes and the ever polite Miss Spider's hostessing talents are absent this time around, but the juiced-up, color-saturated illustrations are thrilling all the same. Ages 4-7. Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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The Graphic Alphabet by David Pelletier

2007-04-26T15:22:00.000-05:00

Summary: Amazon.com Most alphabet books for pre-readers and early readers set out to make the somewhat abstract idea of letters as clear and as clearly linked to words as possible. In The Graphic Alphabet, graphic designer David Pelletier has created an alphabet book that aims to explore letters for their beauty and complexity as design elements as well as help teach kids how to read. His "A," for example, stands for "avalanche," and with its normally pointed top tumbling down the right diagonal, the letter doesn't just stand for the avalanche, it becomes the word. Pelletier is equally ingenious throughout. And while this might not be the best book to make the concept of letters concrete for youngsters, it will certainly help instill in them a sense of wonder about letters and words.

Notable Information: This book is a tad too sophisticated for younger students just learning their abc's. The author, a graphic designer created this alphabet book in 1996 that"had to retain the natural shape of the letter as well as represent the meaning of the word", by using good design. Thus, this is an excellent text for older students interested in art or graphic design. This book won the Caldecott award for illustrations and art.

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The Turn-Around, Upside-Down Alphabet Book by Lisa Campbell Ernst

2007-04-26T15:15:00.000-05:00

Summary: PreSchool-Grade 2–Children who are tired of staid concept books will welcome this one–it literally turns the alphabet on its ear. Each page contains a large block letter enclosed in a square that, when viewed from a different direction–left, right, or upside-down (hence the title)–transforms into an entirely different object. For example, when "J" is rotated clockwise, it becomes, in turn, "an elephant's trunk," "a candy cane," and "a monkey's tail." Some designs, like "O," are easy to spot (bagel, owl's eye, fried egg); others, like "K" (picnic table, a mama duck with two ducklings, Martian's antennae) and "W" (two fish, a cat casting a shadow, a mountain stream), present more of a challenge. With touches of humor and a great deal of creativity, Ernst fashioned this book out of cut paper and surrounded each block with a thick black border that sets off white words. Children will enjoy tilting the pages to see the transformations and will be motivated to come up with ideas of their own.–Laurie Edwards, West Shore School District, Camp Hill, PA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Notable Information: I would use this book with students already familiar with the alphabet system. It proves more rewarding for students to manipulate the letters and see things differently. This book also received the award for Ala Notable Children's Books for Younger Readers in 2004.

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Life Doesn't Frighten Me by Maya Angelou

2007-04-10T17:07:00.000-05:00

Summary: Grade 3-6-A unique book that combines the words of a renowned African-American poet laureate and the primitive, modern paintings of a young Haitian-American artist. With lines of verse that shout exuberantly from each page, a young voice rails against any and all things that mean to do her harm. Whether they are "Shadows on the wall/ Noises down the hall" or even "Mean old Mother Goose/Lions on the loose"-to one and all she responds- "they don't frighten me at all." In the middle, the pace and intensity quicken as "I go boo/Make them shoo/I make fun/Way they run." Despite the scary things around her, the poet's determined courage remains. The art provides a jolting counterpoint to the optimistic words, reflecting a dark, intense vision. Violent splashes of color bleed and drip one into another, and white letters are scratched into black backgrounds. Stark figures with grotesque features face off against one another. Symbols such as arrows, birds, crowns, and letters emphasize the artist's anger and sense of irony. The choice of the paintings, taken as they were from an extant body of work, give levels of meanings to a poem already strong with images of its own. A powerful exploration of emotion and its expression through the careful blend of words and art. Jane Marino, White Plains Public Library, NY Copyright 1994 Reed Business Information, Inc.

Classroom Implications: An idea for this book would be to pair it with other Maya Angelou's poems. Her poetry tends to be widely popular with middle school aged girls. This would be an excellent way to see her poetry different due to the picture book format.

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Homemade Love by bell hooks

2007-04-10T16:58:00.000-05:00

Summary: PreSchool-K-Evans's wonderful illustrations raise this paean to parental love a notch above the ordinary. "My mama calls me girlpie. Her Sweet sweet. Daddy's honey bun chocolate Dew Drop. Homemade Love," says the small African-American narrator. The story line is minimal: her parents love her, even when she does something wrong, and their love supports her, even at night. The rhythm of the words, the smoothness of the text, and the positive message all combine to make a lovely read-aloud, despite a slightly treacly premise. Evans's folksy paintings, done in bright primary colors, are wonderful, with an appealing, dark-skinned, large-eyed little girl wearing dresses decorated with patterns that reflect the story. The artist fills up the pages so completely that readers only see the parents from the waist down for the first half of the book. When the child breaks something, her sorrow is evident, and after everything is all better, "kiss kiss," she goes outside and does cartwheels in the flowers, exuding happiness and a zest for life. An appealing addition for most collections. Amy Lilien-Harper, The Ferguson Library, Stamford, CT
Copyright 2002 Reed Business Information, Inc.

Classroom Implications: This book does not as strong of a story line as previous books by hooks, yet it still captures the love shared in a family. This story is about unconditional love, a subject that many students can identify or disidentify with based on their own experiences.

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Skin Again by bell hooks

2007-04-10T16:51:00.000-05:00

Summary: Kindergarten-Grade 4–As they did in Happy to Be Nappy (1999) and Be Boy Buzz (2002, both Hyperion), hooks and Raschka have created a verbal and visual celebration. This time the subject is skin, both what it is and, more importantly, what it is not. "The skin I'm in/is just a covering./If you want to know who I am/you have got to come inside/and open your heart way wide." While the message comes across loud and clear, the author's deft handling of language renders it gently persuasive rather than didactic. Raschka's impressionistic pictures amplify the theme as they shift from large, bold cartoons showing the outside of both white and black children, and then move to the inner patchwork of thoughts and feelings that make up "real" individuals. The illustrations will invite lengthy study, as Raschka shows the children passing through the various boxes as they reach inside to know each other and then come outside to see skin again with fresh eyes. Whether shared with a group or one-on-one, this is an excellent vehicle to initiate discussion on a sensitive and perennially important subject.–Grace Oliff, Ann Blanche Smith School, Hillsdale, NJ
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Classroom Implications: The poet and the artist who created Happy to be Nappy! (1999) and Be Boy Buzz (2002) take on another big identity issue with exuberant, playful imagery that will open discussion. The simple words spell out the overt message ("If you want to know who I am / you have got to come / inside"), and the pictures move from big, full-page portraits of kids with various skin colors to patchwork-style pages showing all the shifting bits and pieces inside each individual. Raschka's images, in many colors and shapes, shows everything from active children; winging birds; and a smiling snake to arms reaching out and dancing feet. The art vividly celebrates history and the realism, fun, and fantasy inside each one of us--the dreams of "all the way I imagine me." This is about skin color, but it's also about diversity within a group and within one child, and about finding the story inside the stereotype. Hazel Rochman
Copyright © American Library Association. All rights reserved

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Be Boy Buzz by bell hooks

2007-04-10T16:28:00.000-05:00

Summary: From Publishers Weekly
This stunning volume celebrates all things boy. The creators of Happy to Be Nappy set the stage with the bold opening sortie: "I be boy" appears on the left of the spread, paired with a deceptively simple layering of rectangles in blue line that pulsates on the page; opposite, a thoughtful-looking fellow, all elbows and knees slightly bent, seems poised for action. This spare, poetic riff on young manhood plumbs the delights and contradictions of what it means to be a boy particularly an African-American boy in a brief handful of sentences and with a few well-placed pastel lines that imply motion and emotion. From boys soaring ("All bliss boy") to boys sulking ("All bad boy beast" here Raschka conveys the mood with just the right-hand side of a furrowed brow, and two arms seemingly blocking readers from view), at play ("I be boy jumping") and at rest ("all think and dream time"), the words pinpoint boyhood's unflagging energy and exuberance, vulnerability ("Hug me close. Don't let me down") and attitude. Hooks's rhythmic blend of brevity and eloquence launches Raschka's trademark visual haiku. His series of watercolor and pastel portraits set off against a warm cappuccino backdrop conjures fingers and toes, features and squiggles of hair from simple sweeps of his brush, and evokes characters suffused with humanity and tenderness. The graceful design visually balances the spare text, lively portraits and geometric graphics which harmoniously orbit the spreads. This life-affirming book will have readers as much "in love with being a boy" as are its own utterly irresistible characters. Ages 4-8. Copyright 2002 Reed Business Information, Inc.

Classroom Implications: This book poetically celebrates masculine identities. The language is descriptive, the images vivid, and the message clear: love all and every side of you! A nice addition to have in the library, especially for young male readers.

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I Love My Hair! by Natasha Tarpley

2007-04-10T16:13:00.000-05:00

Summary: THE ROOT OF BEAUTY

Reviewer:

BeatleBangs1964 (United States) -

The narrator of this tale is a bright, beautiful little girl who is proud of her naturally thick curly Black hair. She, like most folks find combout sessions quite painful, but her very wise mother tells her why she is lucky to have such beautiful, thick, naturally curly hair.

Keyana, the child narrator describes the care her hair requires; her mother rubs coconut oil into her scalp to help the comb glide through it. Her mother applies rich poetic descriptions to Keyana's hair; she tells Keyana every time she corn rows it, it is like planting a beautiful garden; when she combs it out into a big, beautiful Afro, it is a globe as round as the world that contains everybody; she tells Keyana she can spin it like silk the way their ancestors spun silk on a loom. Each description is accompanied by a lovely picture showing the mother's vision; for example, when she applies the silk comparison, Keyana is drawn with her beautiful hair being spun on a loom.

Keyana herself celebrates her natural beauty, hair and all and takes pride in the myriad of hairstyles her thick, curly hair will allow her to try. I like the way she said that the hair styling sessions were a time of mother-daughter bonding and the illustrations are first rate.

This is a book all parents and educators will want to use to promote self pride among all children, particularly children who are black. This book celebrates the beauty of being human. It is for everybody. I love this book!

Classroom Implication: This book pairs nicely with Happy to be Nappy and Nappy Hair, both books that praise African and Black American hair. This read aloud approaches the subject gently and could spark a nice conversation of what it means to celebrate identity.

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Happy to Be Nappy (Jump at the Sun) by bell hooks

2007-04-10T16:02:00.000-05:00

Summary: Grades 1-4 Renowned feminist and social critic bell hooks takes on... hair! "Hair for hands to touch and play! Hair to take the gloom away." This rhythmic read-aloud is, on the surface, all about hair: nappy, plaited, long, short, natural, twisted, "soft like cotton, flower petal billowy soft, full of frizz and fuzz." Comb through the surface and find a celebration of childhood and girls and the freedom to express individuality. The rituals implied in the book are rooted in the traditions of hooks's own childhood, when "doing" hair was just as much an excuse for girls to laugh and tell stories and just be together. Going still deeper is the much-needed message encouraging girls to love and accept themselves (and others) just the way they are. In bell hooks's first venture into children's books, she wisely teams up with Caldecott Honor-winning illustrator Chris Raschka (Yo! Yes?, Mysterious Thelonious). Raschka's bold paint strokes on a color wash background are strikingly original--a perfect match for the exuberant text. This beautiful picture book will surely make any reader, young or old, happy to be nappy--and anyone who raved or ranted over Carolivia Herron and illustrator Joe Cepeda's Nappy Hair will welcome this joyful, celebratory book. --Emilie Coulter

Classroom Implication: A critical book at this time, bell hooks advocates for self-love and acceptance of individuality. She works to reclaim a term that has been used derogatorily and breeches the subject delicately through poetic texts. This picture book could pair nicely with identity-based novels, such as The Skin I'm In.

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There Is a Flower at the Tip of My Nose Smelling Me by Alice Walker

2007-04-10T15:53:00.000-05:00

Summary: From Publishers Weekly
Walker (The Color Purple; Finding the Green Stone) praises the surroundings that fortify the human experience. In her vision, people do not work their will on the things around them, but rather the people and the universe influence each other: "There is a flower/ At the tip/ Of my nose/ Smelling/ Me./ There is a sky/ At the end/ Of my/ Eye/ Seeing/ Me." Vitale (When the Wind Stops) paints great swaths of sunset sky that glow from the horizon, illuminating the serene face of a dreaming girl who looks as if she would be at home anywhere. "There is a dance/ That lives/ In my bones/ Dancing/ Me," reads the text, as the heroine, charged from within by streams of incandescent energy, leaps and sways in swirls of sunlight that stream out from her fingertips. "There is a story/ At the end/ Of my arms," Walker concludes, "Telling/ Me!" Now a rainbow falls over the girl's face, and creation holds out marvelous possibilities. Smaller versions of herself surround the girl in a frieze: in these miniature images she flies, dives into the waves with a fish and climbs the leaves of an enormous white flower to kiss its face. It's less a story than an illuminated prayer"an expression of gratitude for one girl, all humans and the whole of the cosmos. All ages. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Classroom Implications: In the author's note in the back of the book, Alice Walker writes that this book began as a thank-you note. Students would really latch onto this concept. This text extends the idea of gratitude and shifts to a more universal way of looking at things. Middle school students may use this as a mentor text to inspire a new kind of writing that originates from a different, more universal perspective.

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Poetry for Young People: Langston Hughes by David Roessel

2007-04-10T14:14:00.000-05:00

Summary: Gr. 6-9. Hughes' stirring poetry continues to have enormous appeal for young people. In this illustrated collection of 26 poems, Andrews' beautiful collage-and-watercolor illustrations extend the rhythm, exuberance, and longing of the words--not with literal images, but with tall, angular figures that express a strong sense of African American music, dreams, and daily life--while leaving lots of space for the words to "sing America." The picture-book format makes Hughes' work accessible to some grade-school children, especially for reading aloud and sharing, but the main audience will be older readers, who can appreciate the insightful, detailed introduction and biography, as well as the brief notes accompanying each poem, contributed by Hughes scholars Roessel and Rampersol. Their comments, together with the quotes from the poet himself, will encourage readers to return to the book to see how Hughes made poetry of his personal life, black oral and musical traditions, urban experience, and the speech of ordinary people. Whether the focus is the Harlem Renaissance, the political struggle, Hughes' African heritage, or the weary blues, this book will find great use in many libraries. Hazel Rochman
Copyright © American Library Association. All rights reserved

Classroom Implications:

A WORK TO TREASURE, November 5, 2006

Reviewer:

D. Blankenship (The Ozarks) -

I cannot think of a better way to introduce the poetry of Langston Hughes than this small volume. The selection is excellent and of interest you the young reader. The commentary is quite relevant as are the pictures which accompany it. I find that often now, our young people go all the way through the early grades in school and many of them have never heard of Hughes,much less read his poetry. This was the sort of stuff my generation and the generation before it grew up on and cut our teeth on. I do not feel I am any worse for the wear. I am fearful that we are bringing up an entire generation (rightfully or wrong, although I feel it is the later) of young folks who will have no appreciation to this great art form and will miss a lot. This book helps. This entire series helps, as a matter of fact and I certainly recommend you add this one and the others to your library. Actually, it is rather fun reading these with the young folk and then talking about them. Not only do you get to enjoy the work your self and perhaps bring back some great memories, but you have the opportunity to interact with your child or student. It is actually rather surprising what some of the kids come up with. I read these to my grandchildren and to the kids in my classes at school. For the most part, when I really get to discussing the work with them, they enjoy it. Recommend this one highly.

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Poetry Speaks to Children by Elise Paschen

2007-04-10T14:06:00.000-05:00

Summary: Grade 3-8–A fine, basic collection. Approximately half of the 97 selections are read or performed on the accompanying CD. The book provides a mix of adult writers (Rita Dove, Seamus Heaney, and Billy Collins, among others) and those whose work is specifically for children, such as X. J. Kennedy and Mary Ann Hoberman. Topics include childhood, animals, nonsense poems, and humor. The three illustrators have captured the different tones of the selections, from a comic portrait of the Jabberwock slayer wearing a colander and wielding a plunger and the wailing children in William Stafford's First Grade, to the moving paintings of a girl with flowers echoing the natural images of James Berry's Okay, Brown Girl, Okay. The CD gives children the opportunity to hear several of the poets, such as Robert Frost reading Stopping by Woods on a Snowy Evening and Langston Hughes reading The Negro Speaks of Rivers. They hear a variety of accents and dialects–an Irish lilt, New England inflections, or James Berry's lilting Jamaican-British voice. Readers of Roald Dahl's books will enjoy hearing him read The Dentist and the Crocodile, and fans of The Lord of the Rings books and movies will appreciate hearing Tolkien read Frodo's Song in Bree. Joy Harjo frames her Eagle Poem with a haunting vocalization that echoes its serious tone.–Barbara Chatton, College of Education, University of Wyoming, Laramie
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Classroom Implications: This diverse and appealing collection of poems for children includes poets contemporary (Nikki Giovanni, Billy Collins) and, thanks to archival recordings, not so contemporary (Robert Frost, J.R.R. Tolkien) reading their own work. There are also performances of well-known poems such as "Jabberwocky" and "Casey at the Bat." Some tracks feature the welcome bonus of the poet talking briefly about the background or genesis of a poem. The narrated poems are often unidentified and unattributed, and there are no page-turn signals, so listeners must follow along carefully with the book to keep track of poems and authors. Older children will certainly have a deeper understanding of the poems, but the illustrated picture-book format and lively soundtrack are sure to help hook even the youngest listeners on poetry at an early age. J.M.D. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine

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Owen & Mzee: Language Of Friendship by Isabelle Hatkoff

2007-04-10T13:52:00.000-05:00

Summary: For somewhat older readers than Marion Dane Bauer's A Mama for Owen (2007), this book updates children on its famous subjects through crisp, immediate photos taken at the Kenyan refuge they call home. The same complicated supporting cast is featured in this book, including a father-daughter team; a naturalist from the refuge; and photojournalist Greste, whose photos here are more varied, abundant, and consistent in quality than before. Along with assuring children that the bond between Owen and Mzee is "stronger than ever," the authors chronicle the animals' system of communication, involving nudges, nips, and even a special kind of call. Libraries that own the first title will certainly want to add this title; those that don't may wish to purchase just this one, which gives the necessary context and duplicates some elements from the earlier book, while extending the information--through references to naturalists' concerns about Owen's need to interact with other hippos, and about Mzee's safety as his companion grows to his 7,000-pound size--in a way that moves beyond the pat, heartwarming aspects of the incident to ask fascinating questions about animal behavior. Jennifer Mattson
Copyright © American Library Association. All rights reserved

Classroom Implications: Kids will be begging for a sequel if they read the original book about Owen and Mzee. This is a great book to have on hand for follow up readings kids may want to do during independent reading. It also makes a great book to read aloud to children if the level of text is too difficult for the readers. It is a nonfiction picture book that adds depth and emotional feeling to the nonfiction genre.

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Owen & Mzee: The True Story Of A Remarkable Friendship by Isabella Hatkoff

2007-04-10T13:42:00.000-05:00

Summary: Kindergarten-Grade 5 When the six-year-old contributor to this book saw the photograph documenting the extraordinary friendship between a baby hippo (Owen) and a 130-year-old giant tortoise (Mzee), she persuaded her father to help tell their story. Originally an e-book, the hardcover version begins with images of the duo, whetting readers' appetite and providing reassurance as the potentially disturbing plot unfolds. After a scene depicting a pod of hippos near the Sabuki River in Kenya, the text describes the 600-pound baby's displacement and separation from the group during the 2004 tsunami. Children witness the challenging rescue and meet the knowledgeable staff at an animal sanctuary. From Owen's first approach for protection to Mzee's unexpected tolerance, the photographs, mostly by BBC photojournalist Greste, capture the pair eating, swimming, snuggling, and playing together. Their contentment and peace are palpable. Because it is sensitively structured, with careful choices about what is emphasized and illustrated, the situation does not overwhelm readers. The text and the back matter are brimming with information about the animals, their caregivers, and the locale. This touching story of the power of a surprising friendship to mitigate the experience of loss is full of heart and hope. A worthy complement is Ann Morris and Heidi Larson's glimpse at a human family's loss and recovery in Tsunami: Helping Each Other (Millbrook, 2005). Wendy Lukehart, Washington DC Public LibraryCopyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Additional Illustrations:

This is how Owen appeared on the morning of Dec. 27, 2004 before any attempts were made to catch him. Picture taken by Uncle Joe before putting camera down and entering ocean with two French volunteers (one was named Owen) and one KWS Ranger named Said.

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Hachiko: The True Story of a Loyal Dog by Pamela Turner

2007-04-10T13:33:00.000-05:00

Summary: Gr. 1-4. This small, square picture book pays tribute to one of the world's lesser-known animal heroes: Hachiko, a dog who kept vigil for nearly 10 years at a Tokyo train station, waiting for his deceased master to return from work. Turner unfolds this poignant true story in the natural, unaffected voice of Kentaro, a fictional little boy, who wonders at the dog's unswerving devotion. Unobtrusive details evoke a sense of place ("Ladies in kimonos walked carefully, trying to keep their white tabi socks away from the grime of the streets"), as does Nascimbene's spare line-and-watercolor artwork, reminiscent of Japanese woodblock prints. American children will find the scenes of kimono-clad women bustling alongside men in Western suits especially intriguing. Though Hachiko's eventual death may be upsetting to some (he dies at the station, "still waiting for Mr. Ueno"), the sad news is leavened by an ending that emphasizes his status as a furry folk hero in Tokyo, further elaborated in an afterword. This will resonate with any child who has loved a dog and been loved in return; for reading aloud to groups of older kids, pair the story with The Mightiest Heart (2003), a Welsh legend about another selfless hound. Jennifer Mattson Copyright © American Library Association. All rights reserved

Classroom Implications: A true story taking place in the early 1900's in Japan, students will relate with the resounding message of trust, faithfulness and heroic animals found in this story! It is another nonfiction picture book that captures the warm-hearted animals at their most loyal.

Here is a link to a chapter book about Hachiko that older kids may be inspired to read after they read this picture book. The book is called, Hachiko Waits by Leslie Newman.

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Remember: The Journey to School Integration by Toni Morrison

2007-04-10T13:18:00.000-05:00

Summary: Grade 3-8–This unusual blend of archival photographs, historical background, and fictional narrative brings to life the experiences and emotions of the African-American students who made the tumultuous journey to school integration. Dramatic, mostly full-page, black-and-white photographs make up the bulk of the book. An introduction sets the scene, and factual pages, consisting of several sentences, are scattered throughout. They explain the significance of the events, the trauma of racial conflict, the courage and determination of African Americans and their supporters, and the importance of remembering and understanding. With poignant simplicity and insight, Morrison imagines the thoughts and feelings of some of the people in the pictures. The wrenching, inspiring autobiographical school integration memoirs of first-grader Ruby Bridges (Through My Eyes [Scholastic, 1999]) and Little Rock Nine high school junior Melba Pettillo Beals (Warriors Don't Cry [Washington Square, 1995]) offer greater immediacy and convey a powerful message for future generations about the need for understanding, self-awareness, and self-respect. However, Morrison's reflective interpretation presents a gentler guide for younger readers. Appended are a chronology of "Key Events in Civil Rights and School Integration History"; "Photo Notes" that describe the actual date, location, and content of each picture; and a dedication that recalls the four young girls killed in the bombing of their Birmingham, AL, church in 1963. The provocative, candid images and conversational text should spark questions and discussion, a respect for past sacrifices, and inspiration for facing future challenges.–Gerry Larson, Durham School of the Arts, NC
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Classroom Implications: This text is "a gentle guide" for younger, less-experienced or highly sensitive readers. It is an interpretive text that straddles the lines between fiction and nonfiction (Morrison inserts thoughts/feelings to certain photographs in the text). This is a text that recounts AND reflects on the school desegration that the nation faced during the civil rights movement. Would be a nice pair with The Forbidden Schoolhouse: The True and Dramatic Story of Prudence Crandall and Her Students.

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The Forbidden Schoolhouse: The True and Dramatic Story of Prudence Crandall and Her Students by Suzanne Jurmain

2007-04-10T13:10:00.000-05:00

Summary: Gr. 5-8. Jurmain has plucked an almost forgotten incident from history and has shaped a compelling, highly readable book around it. In 1831, Prudence Crandall opened a school for young white ladies. When asked by an African American teenager if she might join the class, Crandall, whose sympathies were with the abolitionists, agreed. So begins a jolting episode in which Crandall turned her school into one for girls of color, and is both tormented and sued by the citizenry of Canterbury, Connecticut, who wanted no part of African Americans in their town. Writing with a sense of drama that propels readers forward (and quoting the language of the day, which includes the word nigger), Jurmain makes painfully clear what Crandall and her students faced, while showing their courage as they stood up to those who tried to deter them. Printed on thick, snowy stock and including a number of sepia-toned and color photographs as well as historical engravings, the book's look will draw in readers. Children will be especially pleased by the appended material, which includes an epilogue that tells what became of the principals, as well as source notes for the many quotes. Ilene CooperCopyright © American Library Association. All rights reserved

Classroom Implications: What's great about this nonfiction text is that it's about desegregation but takes place in a northern setting! Students often read about desegregating schools in the South during the civil rights movement. But this book takes readers back to the 1800's in New England. This book is a nice transition from nonfiction picture books and nonfiction reading students engage in during high school. Therefore, this books is a perfect nonfiction read for the middle grades.

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Odd Boy Out: Young Albert by Don Brown

2007-04-10T12:51:00.000-05:00

Summary: Grade 2-5–This well-crafted picture-book biography focuses on Einstein's hard-to-classify brilliance, which led to awesome scientific discoveries, but all too often left him a misunderstood outsider. Brown describes his subject's loving, cultured parents who were frequently nonplussed by their son's behavior and temper. He found himself the "odd boy" at school, and as the only Jewish student, was sometimes taunted by other children. He puzzled his instructors as well; though clearly gifted in science, math, and music, he was an indifferent student in most subjects. Brown's pen-and-ink and watercolor illustrations, rendered in a palette of dusky mauve and earthy brown, portray a doubtful, somewhat unhappy-looking child, except for a picture in which he gazes fondly at a compass, a gift that astonishes him as he ponders its mysteries. In many scenes he is marginalized on the sidelines, set apart by color and shading. One dramatic spread features an adult Einstein pushing his child in a carriage, looking small against a backdrop that highlights some of the scientific puzzles that so engaged him. Through eloquent narrative and illustration, Brown offers a thoughtful introduction to an enigmatic man. This book will pique the interest of readers with little or no knowledge of Einstein.–Marilyn Taniguchi, Beverly Hills Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Classroom Implications: This picture book biography reminds students that academic icons, such as Albert Einstein, were once children! This nonfiction text is accessible to students due to it's picture book format. This is helpful as a read aloud to younger children and a hands-on text with the older grades. A great connection with science curriculum in the upper grades, too!

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The Curse of the Pharoahs : My Adventures with Mummies by Zahi Hawass

2007-04-10T12:43:00.000-05:00

Summary: Grade 4-8–Some children will already be familiar with the work of this Egyptian archaeologist from TV documentaries about his excavations along the Nile. Hawass is passionate about this work and effectively relates his enthusiasm for it in this first-person account that has the same immediacy as the televised specials. The history of the mummy's curse becomes the frame of his narrative, but the author is at his best when describing his excavations, their inherent dangers (ancient germs, crumbling rock, snakes), and the excitement of discovery. His stories of grave robbers caught millennium ago, and documented in papyrus texts, are fascinating. He also discusses his recent excavations at Giza and his discovery of multichambered tombs at Bahariya Oasis that contain hundreds of mummies. After providing readers with some history of the many myths and legends surrounding the "curse," which he attributes to novelists and "silly" Hollywood movies, he adds a few of his own stories and experiences with the "magic" of the tombs. The full-color photos are superb; they include clear close-up shots of mummies, statues, artifacts, sites, and a number of the scientist at work. There are also a few helpful cutaway diagrams. Appendixes provide tips for kids thinking about a future in archaeology, information on mummification, and useful glossaries. While the exciting title and cover will draw young readers in, it's Hawass's passion, storytellling skills, and the terrific illustrations that will keep them reading.—Daryl Grabarek, School Library Journal
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Classroom Implications: Enthusiasm from the author seeps through this text and demonstrates how passion for things found in the world can transfer over to nonfiction writing. This text is a wonderful supplemental text for social studies to use in the classroom. It also helps students to build their comfort levels around nonfiction reading.

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I See a Kookaburra!: Discovering Animal Habitats Around the World by Robin Page

2007-04-09T14:06:00.000-05:00

Summary: Kindergarten-Grade 4–This colorful introduction to six different biomes mixes clearly presented information with seek-and-find fun. The book opens with a glorious two-page collage made of cut and torn paper that depicts a desert in the American Southwest. Eight indigenous animals are included in the picture, but readers will have to search hard to find them as they are mostly camouflaged by cacti and rocks. On the next spread, the creatures are shown against a white backdrop; each one remains in the same position on the page, allowing youngsters to refer back and find the ones they missed. Each animal is introduced by name and given a brief yet tantalizing descriptive line. The same pattern is repeated for a tide pool on the English coast, a rain forest in the Amazon River basin, the grasslands of central Africa, an Australian forest, and a pond in the American Midwest. As an added challenge, and to make the point that ants live all over the world, one of these insects is hidden in each scene. Additional, well-chosen facts about these habitats and the depicted creatures are appended, along with an outline map of the locales. Filled with vibrant colors and palpable textures, the illustrations are breathtaking and give a real sense of the vitality, diversity, and beauty of nature. A first-rate foray into ecology that will encourage readers to explore the world around them.–Joy Fleishhacker, School Library Journal Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Classroom Implications: In many classrooms, students study habitats and ecology. This is a modern I Spy game that students can play with their classmates during a partner reading session in reading workshop. The art and lines from the text help create a magical mood for kids to bring their science curriculum to life.

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Runaway Girl: The Artist Louise Bourgeois by Jan Greensberg

2007-04-09T13:57:00.000-05:00

Summary: Gr. 7 and Up As in Frank O. Gehry, Outside In (2000), the authors once again make challenging art accessible and exciting to teen readers. This time they focus on Louise Bourgeois, one of the best-known living sculptors, whose work deals with primal themes of jealousy, betrayal, and shifting sexual identities, which, according to Bourgeois are inspired by her painful childhood and her adulterous father. In clear, elegant prose, bolstered with numerous quotes from the artist, the authors seamlessly juxtapose stories of Bourgeois' life with relevant artworks, which are often explained in the artist's own words. Beautifully reproduced photographs, printed on well-designed pages, offer an excellent mix of the artist's personal life and her art, though the authors remind readers that "we don't have to know her story to have our own strong reaction," to her work. By showing the relationship among shapes, colors, materials, and emotions, the authors invite readers to approach even the most bewildering art with confidence and think about it in their own words. The book concludes with a glossary, a bibliography, and notes. Gillian Engberg
Copyright © American Library Association. All rights reserved

Classroom Implications: Another book by Greensberg to spruce up middle school biography collection. Text interweaves some personal struggles students can relate to and the art she manifested as in artist. This text does an excellent job connecting the personal life with what she produces in her professional world.

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Andy Warhol, Prince of Pop by Jan Greenberg

2007-04-09T13:49:00.000-05:00

Summary: Grade 6-9–Warhol's career spanned advertising, painting, filmmaking, and magazine publishing. This competent, well-documented biography covers his childhood and art school years in Pittsburgh, his successful career in commercial art, and his rise in the Pop Art movement. Chapters also cover his dependence on his mother; his pursuit of celebrity; the lively social, drug, and art scene at his studio (christened the "Factory"); a near-fatal shooting; and his death at age 59. The authors provide a good balance of personal and art history, showing how Warhol's signature silkscreen soup cans and portraits were rooted in his commercial beginnings and 1960s commentary on consumerism. Throughout, they provide insight into specific works of art and their relationship to one another. Their liberal use of quotes by Warhol and his contemporaries paints a picture of a man who was often flip or evasive, who wore a very public persona but was extremely guarded about his personal life. The excellent glossary will aid students new to art terms. From the cover design to the quality of the paper and well-selected reproductions and photos, this is attractive bookmaking. While this eccentric, enigmatic subject is not likely to engender affection among readers, they will finish the book with an understanding of his legacy to the art world.–Daryl Grabarek, School Library Journal Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Classroom Implications: This book is sure to update and liven a book study of biographies in a middle school classroom! Winner of the Blue Ribbon Nonfiction Book Award, Greenberg works to humanize a controversial subject of history and a past art scene.

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The World According to Dog: Poems and Teen Voices by Joyce Sidman

2007-04-09T13:39:00.000-05:00

Summary: Grade 6 Up-Sidman's poetic observations of beloved pets interspersed with short essays by teens are sure to engage dog fanciers. The poems, mostly blank verse with a scattering of haiku, are rueful, contemplative, and sensory as they comment on canine behavior indoors and out and on interaction with humans, other dogs, and the natural world: "-and I am trying to understand this/ecstasy of stink that has me/retching but made you/dive and roll, eyes closed in bliss-." The occasional pieces by young people recount special characteristics of the canines in their lives, sometimes with almost painful honesty. The finding of an abandoned puppy makes a positive change in more than one family. Another teen writes about the enduring spirit of a dog living with cancer. Small black-and-white photos of the featured animals accompany most of the essays. Mindell's larger photographs facing the poems are often in soft focus. Sometimes the blur is poetically suggestive, and sometimes the indistinct image is confusing. Overall, though, the impressive variety of breeds is winning. Sidman sometimes gropes for fitting imagery, but the pacing and flow of her poetry are sure and her appreciation of her subject is astute. Many readers will chuckle or sigh in empathy, and some may well be inspired to express their own thoughts about the world of dog in writing or pictures. Margaret Bush, Simmons College, Boston
Copyright 2003 Reed Business Information, Inc.

Teaching Implications: This text is an interesting blend of poetry, student voices, essays and photograph. These genres tend to capture the attention and love of middle school students. Coupled with the subject matter of dogs and this book becomes an immediate popular book in the classroom library!

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Blues Journey by Walter Dean Myers

2007-04-09T13:31:00.000-05:00

Summary: Gr. 5-8. The blues' deceptively simple rhyme scheme tracks the deeper feelings of lives that have been bruised. In this picture book for older readers, Myers offers blues-inspired verse that touches on the black-and-blue moments of individual lives. His son Christopher's images, which illustrate the call-and-response text, alternate between high spirited and haunting. Myers begins with a very necessary introduction to the history of the blues that includes an explanation of the rhyme scheme. Still, the level of sophistication necessary for kids to get into the book is considerable: "Strange fruit hanging, high in the big oak tree / Strange fruit hanging high in the big oak tree / You can see what it did to Willie, / and you see what it did to me." Myers' original verse is unsettling if young people know the reference from the Billie Holiday song, but unclear if they don't ("strange fruit" is defined in the glossary). The accompanying illustration, though it's one of the less inspired ones, helps clarify things--a boy walks in a crowd carrying a sign saying, "yesterday a man was lynched." But there's no cohesion between the spreads, and the next one features a blues singer at a mike: "The thrill is gone, but love is still in my heart . . . I can feel you in the music and it's tearing me apart." Much of Myers' poetry here is terrific, by turn, sweet, sharp, ironic, but it's the memorable collage artwork, executed in the bluest of blue ink and brown paper, that will draw readers first. Once inside the book, some children will immediately hear the songs the poetry sings; others will have to listen more closely. Ilene CooperCopyright © American Library Association. All rights reserved

Unique Features: This text blends nicely into a poetry or music study in the upper grade classrooms. A particularly complex nonfiction picture book, this text could be examined by higher level readers. The style of language in this "blues" book can compare nicely to Myer's Jazz writing style.

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Jazz by Walter Dean Myers

2007-04-09T13:25:00.000-05:00

Summary: Grade 5-9–Expanding on Blues Journey (Holiday House, 2003), this talented father and son have produced new poetry and paintings to explore a wider repertoire of jazz forms. An introduction provides historical and technical background, briefly touching on influences, improvisation, rhythm, and race. Spreads then pulsate with the bold, acrylic-and-ink figures and distorted perspectives that interpret the multiple moods and styles set forth in the text. The poems begin Along the Nile with a drumbeat and conclude with the heat of a Bourbon Street band. The Myerses experiment aurally and visually with the forms themselves; thus, Stride alternates long, fast-paced lines in a white font with two-word percussive phrases in black, calling to mind a period piano score. Be-bop unleashes a relentlessly rhyming patter in black, punctuated by a blue cursive font that screams. The 15 selections also celebrate vocals, various instrumental combinations, a funeral procession, and Louis Armstrong; New Orleans as spirit and place is woven throughout. The expressionistic figures are surrounded by high-contrast colors in which the visible brushstrokes curve around their subjects, creating an aura that almost suggests sound waves. Wynton Marsaliss Jazz A B Z (Candlewick, 2005) offers an interesting comparison and complement: varied poetic forms and stylized, posterlike visuals present the lives of jazz musicians. Interaction with each inspired title informs the other and awakens interest in listening.–Wendy Lukehart, Washington DC Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Unique Features: This text pairs nicely with Jazz ABZ by W. Marsalis and is an excellent, current picture book that focuses on jazz music. Jazz is a more advanced picture book and is highly usable in the upper grades classroom. Students studying poetry will learn about rhythm, rhyme and tone though this book.

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Jazz ABZ: An A to Z Collection of Jazz Portraits by Wynton Marsalis and Paul Rogers

2007-04-09T13:05:00.000-05:00

Summary: Ages 9 & Up–Fans of poetry, jazz, and modern art will love this book. With Marsalis handling the words and Rogers the graphics, they have created an illustrated catalog of great jazz innovators from A (Louis Armstrong) to Z (Dizzy Gillespie). Large, colorful, LP-size paintings of the forefathers and mothers of jazz face cleanly printed, sometimes shaped poetry. The stylized artwork is gorgeous, evoking the spirit of pop art, Blue Note album covers, and 1920s advertising art. Particularly eye-catching are the images of Thelonious Monk (an homage to early-20th-century food-label graphics) and Eubie Blake (with hands and a keyboard integrated into the poem), but every page is a delight to behold. Although Marsalis includes 27 different poetic forms, his poems move along similarly at the pace of a drum solo. The selections are visual, but work best when read aloud like slam poetry, beat poetry, or hip-hop. Particular highlights are a playful Miles Davis selection and a challenging performance poem for Art Blakey. In addition to the information about the musicians embedded in the poems, short biographical sketches are included. This uncommon alphabet book will delight readers and deserves a place in most library collections.–Steev Baker, Kewaskum Public Library, WI Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Unique Features: A great alphabet book for older students' libraries. This text contains biographies of jazz musicians and the illustrations are presented in unique art deco format. Great to use in a study on jazz music and African American heritage.

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Who Am I Without Him?: Short Stories About Girls and the Boys in Their Lives by Sharon Flake

2007-03-19T10:10:00.000-05:00

Summary: Gr. 6-12. Hilarious and anguished, these 10 short stories about growing up black today speak with rare truth about family, friends, school, and especially about finding a boyfriend. Erika is a "ghetto girl" who likes white boys; she can't help it, and the other black kids in school can't stand her, because they know. Class is a big issue for Erin, who steals clothes so he can take a suburban girl to the homecoming dance. The church girls are forbidden to date, and they get hurt when they go hunting for boys. But their well-meaning parents don't have it right, and the girls won't stop looking. As with Janet MacDonald's fiction, the talk here is wild, angry, and outrageous, but there's no overt sex or obscenity. Yes, there are messages, but the narrative is never preachy or uplifting; it's honest about the pain. When one girl's boyfriend hits her, she apologizes "just like my momma does when daddy slaps her." The best advice comes from a dad who abandoned his family, who now tells his teenage daughter how to avoid getting stuck with someone like him ("you is so much more than a pretty face and a tight pair of jeans, some boy's girlfriend or some man's wife"). Not everyone makes it. The stories work because Flake never denies the truths of poverty, prejudice, and failure. Hazel Rochman Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition. Purchase

An Island Like You: Stories of the Barrio by Judith Ortiz Cofer

2007-03-19T09:52:00.000-05:00

Summary: Gr. 7-12. "Dating is not a concept adults in our barrio really get." The contemporary teenage voices are candid, funny, weary, and irreverent in these stories about immigrant kids caught between their Puerto Rican families and the pull and push of the American dream. The young people hang out on the street in front of the tenement El Building in Paterson, New Jersey, where the radios are always turned full blast to the Spanish station and the thin walls can't hold the dramas of the real-life telenovelas. As in her autobiographical adult collection Silent Dancing (1990), Cofer depicts a diverse neighborhood that's warm, vital, and nurturing, and that can be hell if you don't fit in. Some of the best stories are about those who try to leave. Each piece stands alone with its own inner structure, but the stories also gain from each other, and characters reappear in major and minor roles. The teen narrators sometimes sound too articulate, their metaphors overexplained, but no neat resolutions are offered, and the metaphor can get it just right (the people next door "could be either fighting or dancing"). Between the generations, there is tenderness and anger, sometimes shame. In one story, a teenage girl despises the newcomer just arrived from the island, but to her widowed mother, the hick (jibaro) represents all she's homesick for. Raul Colon's glowing cover captures what's best about this collection: the sense of the individual in the pulsing, crowded street. Hazel Rochman

Themes: Culture, Hybrid Identities, Generational Differences, Individuality, Community

First Sentence:
When I was sent to spend the summer at my grandparents' house in Puerto Rico, I knew it was going to be strange, I just didn't know how strange.

Classroom Implications: Many classrooms have and use W.D.Myer's 145th Street Stories or G. Soto's Baseball in April collection of stories. Ortiz adds to this base of literature and gives a voice to the Puerto Rican communities that she reflects in her writing.

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Call Me Maria by Judith Ortiz Cofer

2007-03-19T09:41:00.000-05:00

Summary: Ages 9-12 Maria is a girl caught between two worlds: Puerto Rico, where she was born, and New York, where she now lives in a basement apartment in the barrio. While her mother remains on the island, Maria lives with her father, the super of their building. As she struggles to lose her island accent, Maria does her best to find her place within the unfamiliar culture of the barrio. Finally, with the Spanglish of the barrio people ringing in her ears, she finds the poet within herself. In lush prose and spare, evocative poetry, Cofer weaves a powerful novel, bursting with life and hope.

Themes: Identity, Family, Community, Clashing Cultures

Classroom Implications: Poetic novels are a wonderful addition to classroom libraries. They build off of the alluring nature of poetry and reframe it in the context of a novel. Judith Ortiz Cofer is a must-have author in the classroom and speaks to the Puerto-Rican/American experience.

Judith Ortiz Cofer has an interesting outlook on language and identity. This excerpt may be an enriching addition to use with students while reading her works:

"People ask me: If I am a Puerto Rican writer, why don't I write in Spanish?" noted poet, essayist, and author Judith Ortiz Cofer in the online publication, The Global Education Project. "Isn't writing in English a sellout? I respond that English is my literary language. The language of the country my parents brought me to. Spanish is my familial language, that lies between the lines of my English language. Because I am a daughter of the Puerto Rican diaspora, English gives life to my writing." (http://www.answers.com)

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Me llamo Celia/My Name is Celia: La vida de Celia Cruz/The Life of Celia Cruz by Monica Brown

2007-03-19T09:21:00.000-05:00

Summary: Grade 2-4 - An exuberant picture-book biography of the Cuban-born salsa singer. From its rhythmic opening, the first-person narrative dances readers through Cruz's youth in Havana, a childhood bounded by scents of nature and home, the sweet taste of sugar, and the sound of music. A singer from an early age, Cruz sang so continually that one of her teachers finally urged her to share her voice with the world. Thus encouraged, she entered competitions, undeterred when her racial heritage prevented her from competing - undeterred, even, when the advent of Castro's communist regime forced her to leave Cuba as a refugee. Positive even in exile, Cruz made New York City her own and took Miami by storm. The salsa-influenced prose presented in English and in Spanish is followed by a straightforward vita of the singer, noting her death in July 2003. Lopez's distinguished, luminous acrylic paintings are alive with motion, lush with brilliantly layered colors, and informed with verve and symbolism. This is a brilliant introduction to a significant woman and her music. The only enhancement required is the music itself. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Parallel Texts: When Marian Sang by Pam Munoz Ryan matches the content of this picture book biography. Both stories tell of singers that battled society forces, whether they be racism or regimes, in order to share their gift of music with the world. These stories are especially important in the classroom due to the diminished time celebrating and exploring the music arts.

Other texts that celebrate the music arts include...
John Coltrane's Giant Steps
Ella Fitzgerald: The Tale of a Vocal Virtuoso
Duke Ellington: The Piano Prince and His Orchestra (Caldecott Honor Book)
Charlie Parker Played Be Bop

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Love To Mama: A Tribute To Mothers by Pat Mora

2007-03-19T09:04:00.000-05:00

Summary: Gr 3 Up-In a beautiful tribute to mothers, grandmothers, and care-giving women, 13 poets write with joy, humor, and love about the maternal bond. Representing a wide spectrum of Latino voices, the poets range from award-winning authors (Francisco X. Alarc-n, Mora) to a 15-year-old newcomer (Cristina Mu-iz Mutchler). Without exception, the poems are, in their differing forms and voices, of superb literary quality, making effective use of rhythm and meter. While cultural heritage provides a fundamental context, the universality of emotions expressed makes this a book with broad applicability and appeal. Barrag n's bright, bold illustrations are a fitting complement to the selections. Rendered in pencil, cut paper, and gouache, and computer enhanced, they express the varying moods of the poems-from vitality and joie de vivre to sadness and pathos-with precision, force, and grace. Wonderful for reading aloud or for enjoying quietly alone, this is that rare book that will resonate across age ranges and cultures to appeal to the common human experience. A tour de force.-Ann Welton, Terminal Park Elementary School, Auburn, WA

Excerpt from the text:
Wearing a sky-blue skirt embroidered by an old woman named Consuelo
from a story she told Mami a long time ago on her island,
a cuento in gold, brown, and silver threads,
a shower of sunlight falling like drops of gold
on a little golden girl
who turns into a silver dove and flies around and around
a blue sky,
my mami is walking with me in the park.

Classroom Implications: This collection of poems pays tribute to a variety of Latino cultures and authors (Mexican American, Puerto Rican, Cuban, and Venezuelan). Each poem is accompanied by a beautiful illustration. This collection celebrates many different faces of motherhood, while illustrating the originality of different cultures. This is especially important because motherhood is seen different thoughout different cultures. This collection writes these experiences into the world of our classrooms.

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Arrorro Mi Nino: Latino Lullabies and Gentle Games by Lulu Delacre

2007-03-19T08:41:00.000-05:00

Summary: PreS- Kindergarten. The bright, beautiful oil-wash illustrations for these 15 lullabies, nursery rhymes, and finger-play games reflect the diversity of the Latino experience. The settings vary-- from city streets to picking fields; from cozy bedroom to library, school, art gallery, and grocery store--and the caregivers who soothe the children in the pictures include mother, father, sibling, and grandparent. The bilingual text appears first in Spanish, with the English translation beneath or by its side, and most selections are accompanied by instructions for a finger-play. Musical notation and comments about the melodies are at the back. A native of Puerto Rico, editor Delacre lives in Maryland, and she draws the songs from 14 different countries to show and tell about children who grow up "learning and loving two cultures and two languages." Some of the verses don't rhyme in translation, but in the best of them, the rhythm and poetry travel with music and fun. Hazel Rochman Copyright © American Library Association. All rights reserved

Classroom Implications: This is a bilingual text and an important addition to the Pre-K or Kindergarten classroom. Students engage in song and play from a variety of countries.

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Harvesting Hope: The Story of Cesar Chavez by Kathleen Krull

2007-03-19T08:28:00.000-05:00

Summary: Grade 4-8-The dramatic story of Chavez's 340-mile march to protest the working conditions of migrant farmworkers in California is the centerpiece of this well-told biography. Readers meet Chavez at his grandparents' home in Arizona where he lived happily amid a large extended family. His childhood was cut short when, due to financial difficulties, the family was forced to move to California to seek employment. After years of laboring in the fields, Chavez became increasingly disturbed by the inhuman living conditions imposed by the growers. The historic 1965 strike against grape growers and the subsequent march for "La Causa" are vividly recounted, and Chavez's victory-the agreement by the growers granting the workers better conditions and higher pay-is palpable. While sufficient background information is provided to support the story and encourage further research, focusing on one event makes the story appealing to younger readers. The text is largely limited to one side of a spread; beautifully rendered earth-toned illustrations flow out from behind the words and onto the facing page. A fine addition to any collection.Sue Morgan, Tom Kitayama Elementary School, Union City, CA Copyright 2003 Reed Business Information, Inc.

Themes: Activism, Peace, Social Activism, Hope, Prejudice, Perseverance

Classroom Implications: A must to match with Cesar: Si, Se Puede!/ Yes, We Can! by Carmen Bernier-Grand. This picture book is an excellent piece of nonfiction/biography that will reach and inspire students. Cesar's life is an accessible venue by which to teach fairness, activism, peace and perseverance.

Teacher's Guide to Book

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César: ¡Sí, Se Puede! Yes, We Can! by Carmen T. Bernier-Grand

2007-03-19T08:16:00.000-05:00

Summary: Grade 2-6–The life and times of César Chávez are vividly re-created in this collection of poems. Where most biographies stick to the facts of what a person did, this one also touches on the man's character and values. Children will learn about Chávez, but, more importantly, they will learn the important lessons he taught, and they will be able to apply them to their own lives. The lyrical language describes events and paints evocative pictures to which children will relate. Diaz's stylized, computer-drawn, folk-art illustrations capture the subject's private and public life, from the images of picking fruit to peaceful demonstrations. A glossary and translation of the Spanish words used, a concise well-written biographical essay, and famous Chávez quotes are appended. An excellent choice for most libraries.–Scott La Counte, Anaheim Public Library, CA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Themes: Activism, Peace, Social Activism, Hope, Prejudice,

Classroom Implications: This books makes a perfect compliment iwth Harvesting Hope: The Story of Cesar Chavez by Kathleen Krull. Whereas Krull's book is a biographical picture book, Bernier-Grand's book offers a more poetic, minimalistic tribute to Chavez's life's work.

Note: A glossary and translation of the Spanish words used, a concise well-written biographical essay, and famous Chávez quotes are appended. (amazon.com)

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Dona Flor: A Tall Tale About a Giant Woman with a Great Big Heart by Pat Mora

2007-03-19T08:07:00.000-05:00

Summary: PreS-Gr. 3. The creators of Tomas and the Library Lady (1997) offer another glowing picture book set in the American Southwest, but this time, the story is a magical tall tale. In a cozy village, Dona Flor grows from an unusual child, who can speak the language of plants and animals, into a giant, whose heart is as large as her enormous hands and feet. After ferocious animal cries terrorize the villagers, Flor sets out to find their source. The culprit--a tiny, mischievous puma, who ingeniously amplifies his kittenish growl into a beastly roar--is an amusing surprise, and Flor soothes the cat in its own language, returning peace to her village. Mora strengthens her economical, poetic text with vivid, fanciful touches: the villagers use Flor's colossal homemade tortillas as roofs, for example. Colon's signature scratchboard art extends the whimsy and gentle humor in lovely scenes of the serene heroine sweet-talking the animals or plucking a star from the sky. A winning read-aloud, particularly for children who can recognize the intermittent Spanish phrases. Gillian Engberg Copyright © American Library Association. All rights reserved

Themes: Peace, Fear, Leadership, Compassion

Classroom Implications: An American Southwest myth is an excellent addition to a study on myths and folktales in a classroom. This picture book includes Spanish phrases, which always benefit native and emerging Spanish speakers. The author uses descriptive, poetic language that is sure to bring students into the story.

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The Tequila Worm by Viola Canales

2007-03-18T22:20:00.000-05:00

Summary: Gr. 6-9. From an early age, Sofia has watched the comadres in her close-knit barrio community, in a small Texas town, and she dreams of becoming "someone who makes people into a family," as the comadres do. The secret, her young self observes, seems to lie in telling stories and "being brave enough to eat a whole tequila worm." In this warm, entertaining debut novel, Canales follows Sofia from early childhood through her teen years, when she receives a scholarship to attend an exclusive boarding school. Each chapter centers on the vivid particulars of Mexican American traditions--celebrating the Day of the Dead, preparing for a cousin's quinceanera. The explanations of cultural traditions never feel too purposeful; they are always rooted in immediate, authentic family emotions, and in Canales' exuberant storytelling, which, like a good anecdote shared between friends, finds both humor and absurdity in sharply observed, painful situations--from weathering slurs and other blatant harassment to learning what it means to leave her community for a privileged, predominately white school. Readers of all backgrounds will easily connect with Sofia as she grows up, becomes a comadre, and helps rebuild the powerful, affectionate community that raised her. Gillian Engberg Copyright © American Library Association. All rights reserved

Themes: Leadership, Family, Traditions, Identity, Community, Privilege, Prejudice

Classroom Implications: This book speaks to the development of a child's identity within her Mexican-American heritage. Many traditions are interwoven through the text that help celebrate and educate around Mexican-American traditions. The book is entertaining, but also delicately tackles white privilege and prejudice. This notion of white privilege is also covered in Woodson's If You Come Softly and would make an interesting parallel text for this piece.

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Before We Were Free by Julia Alvarez

2007-03-18T21:44:00.000-05:00

Summary: (Ages 12+) What would life be like for a teen living under a dictatorship? Afraid to go to school or to talk freely? Knowing that, at the least suspicion, the secret police could invade your house, even search and destroy your private treasures? Or worse, that your father or uncles or brothers could be suddenly taken away to be jailed or tortured or killed? Such experiences have been all too common in the many Latin American dictatorships of the last 50 years. Author Julia Alvarez (How the Garcia Girls Lost Their Accents) and her family escaped from the Trujillo regime in the Dominican Republic when she was 10, but in Before We Were Free she imagines, through the stories of her cousins and friends, how it was for those who stayed behind.

Twelve-year-old Anita de la Torre is too involved with her own life to be more than dimly aware of the growing menace all around her, until her last cousins and uncles and aunts have fled to America and a fleet of black Volkswagens comes up the drive, bringing the secret police to the family compound to search their houses. Gradually, through overheard conversations and the explanations of her older sister, Lucinda, she comes to understand that her father and uncles are involved in a plot to kill El Jefe, the dictator, and that they are all in deadly peril. Anita's story is universal in its implications--she even keeps an Anne Frank-like diary when she and her mother must hide in a friend's house--and a tribute to those brave souls who feel, like Anita's father, that "life without freedom is no life at all." --Patty Campbell

Themes: Oppression, Activism, Family, Membership, Identity, Resistance

Classroom Implications: This book takes a different spin on identity and immigration by telling the story of those left behind. This novel is to be appreciated for its honest look at Latin American dictatorships and the impact they have on families, advocacy and identity. This book can move through different themed book clubs: realistic fiction, social issues, and even possibly historical fiction. Lower level readers can help access this text by listening to the audio version.

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Finding Miracles by Julia Alvarez

2007-03-18T21:29:00.000-05:00

Summary: Grade 6-9–In spite of her family's openness, Milly Kaufman has never wanted to talk about her adoption. However, during ninth grade, Pablo Bolívar, a refugee from an unnamed Central American country, joins her class and immediately identifies her as someone who might have come from his family's hometown. Then, her grandmother attempts to make a will that differentiates between her and her siblings. While her mother and father's angry reaction makes the woman back down, their increasingly close relationship with Pablo's family makes it impossible for Milly to stop thinking about the parents who gave her up and the war-torn nation she came from. When that country's dictator is deposed in a democratic election, the Bolívars go home to visit and invite Milly along. There she discovers a world quite different from her Vermont home, an extended family, a boyfriend in Pablo, and several possible sets of birth parents. She realizes, too, how much she loves her own family, and they join her for a grand reunion. The strength of this book lies in its description of adoption issues–Milly's feelings of abandonment and difference and her sister's fear that Milly's increased identification as Latina will destroy their close relationship. However, the plot is contrived to help Milly find her identity, and the characters never really come alive. The home country has been stripped of any identifying characteristics that might make the setting interesting. Still, readers interested in this subject will be pleased with the satisfying resolution.–Kathleen Isaacs, Edmund Burke School, Washington, DC Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Themes: Adoption, Family, Identity, Heritage, Abandonment, Belonging, Hybrid Identities

Classroom Implications: Becoming Naomi Leon iimmediately comes to mind when the character in this book struggles with a piece of her identity that lingers in her native country. Alvarez carefully explores relationships in this book--relationships between characters, countries and identities.

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How Tia Lola Came to Stay by Julia Alvarez

2007-03-18T21:15:00.000-05:00

Summary: (Ages 9 to 12) Amazon.com Review With her brilliantly hued flower-print dresses, her maracas and tambor, and the migrating beauty mark over her lipsticked mouth, Tia Lola stands out in Vermont like a tropical bird in a snowstorm. Her nephew, 10-year-old Miguel, just wants to fit in to his new home. He and his mother and sister have just moved here from New York following his parents' divorce. With his black hair and brown skin, it's hard enough already without the flamboyant antics of his friendly, nutty aunt, visiting from the Dominican Republic. But even while she is dancing her merengues in front of his new friends and painting the white farmhouse purple, Tia Lola is also weaving a magical spell of love and support that Miguel and his wounded family sorely need. Miguel's growing appreciation for his crazy aunt's ways, and the entire town's admiration and respect for an outsider who, without even speaking the same language, wins the hearts of all, is a funny, uplifting story. Julia Alvarez is the author of many award-winning novels, including How the Garcia Girls Lost Their Accents and In the Time of the Butterflies, and the picture book The Secret Footprints. She writes with a warmth and humor that crosses all boundaries. --Emilie Coulter

Themes: Family, Identity, Membership

Important Links:
Author's Bio
Complete List of Author's Works
Book in Spanish

Classroom Implications: Julia Alvarez's books typically work best with upper-level readers in 8th grade classrooms. However, this book fits very nicely with younger readers, ages9-12. This book could bridge readers into Alvarez'a more difficult books.

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Beauty: A Retelling of the Story of Beauty and the Beast by Robin McKinley

2007-03-18T20:56:00.000-05:00

Summary: Ages 9-12 Amazon.com Review This much-loved retelling of the classic French tale Beauty and the Beast elicits the familiar magical charm, but is more believable and complex than the traditional story. In this version, Beauty is not as beautiful as her older sisters, who are both lovely and kind. Here, in fact, Beauty has no confidence in her appearance but takes pride in her own intelligence, her love of learning and books, and her talent in riding. She is the most competent of the three sisters, which proves essential when they are forced to retire to the country because of their father's financial ruin.

The plot follows that of the renowned legend: Beauty selflessly agrees to inhabit the Beast's castle to spare her father's life. Beauty's gradual acceptance of the Beast and the couple's deepening trust and affection are amplified in novel form. Robin McKinley's writing has the flavor of another century, and Beauty heightens the authenticity as a reliable and competent narrator.

This was McKinley's first book, written almost 20 years ago. Since that time she has been awarded the Newbery Medal for The Hero and the Crown and has delighted her fans with another retelling of the Beauty and the Beast fable, Rose Daughter. Still, McKinley's first novel has a special place in the hearts of her devoted readers, many of whom attest to relishing Beauty time and again.

Possible other texts:

Rose Daughter by Robin McKinley
Spindle's End by Robin McKinley
Hero and the Crown by Robin McKinley
Blue Sword by Robin McKinley
Deerskin by Robin McKinley

Classroom Implications: McKinley's first book, Beauty, provides an excellent starting point for students to dive into a fantasy study. McKinley also chooses strong female narrators and points of view for her characters, an added plus in fantasy.

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A Swiftly Tilting Planet by Madeleine L'Engle

2007-03-18T20:33:00.000-05:00

Summary: (Ages 9 and older) Fifteen-year-old Charles Wallace Murry, whom readers first met in A Wrinkle in Time, has a little task he must accomplish. In 24 hours, a mad dictator will destroy the universe by declaring nuclear war--unless Charles Wallace can go back in time to change one of the many Might-Have-Beens in history. In an intricately layered and suspenseful journey through time, this extraordinary young man psychically enters four different people from other eras. As he perceives through their eyes "what might have been," he begins to comprehend the cosmic significance and consequences of every living creature's actions. As he witnesses first-hand the transformation of civilization from peaceful to warring times, his very existence is threatened, but the alternative is far worse. The Murry family, also appearing in A Wind in the Door and Many Waters, acts as a carrier of Madeleine L'Engle's unique message about human responsibility for the world. Themes of good versus evil, time and space travel, and the invincibility of the human spirit predominate. Even while she entertains, L'Engle kindles the intellect, inspiring young people to ask questions of the world, and learn by challenging. --Emilie Coulter

First Sentence:
The big kitchen of the Murrys' house was bright and warm, curtains drawn against the dark outside, against the rain driving past the house from the northeast.

Classroom Implications: Students can really study the themes of good vs. evil with the L'Engle books. These books are essentials for students to read in their reading lives, and a book club would be an excellent way to incorporate these texts into the lives of students.

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Touching Spirit Bear by Ben Mikaelsen

2007-03-18T20:19:00.000-05:00

Summary: (Ages 12 and older) Cole Matthews is angry. Angry, defiant, smug--in short, a bully. His anger has taken him too far this time, though. After beating up a ninth-grade classmate to the point of brain damage, Cole is facing a prison sentence. But then a Tlingit Indian parole officer named Garvey enters his life, offering an alternative called Circle Justice, based on Native American traditions, in which victim, offender, and community all work together to find a healing solution. Privately, Cole sneers at the concept, but he's no fool--if it gets him out of prison, he'll do anything. Ultimately, Cole ends up banished for one year to a remote Alaskan island, where his arrogance sets him directly in the path of a mysterious, legendary white bear. Mauled almost to death, Cole awaits his fate and begins the transition from anger to humility.

Ben Mikaelsen's depiction of a juvenile delinquent's metamorphosis into a caring, thinking individual is exciting and fascinating, if at times heavy-handed. Cole's nastiness and the vivid depictions of the lengths he must go to survive after the (equally vivid) attack by the bear are excruciating at times, but the concept of finding a way to heal a whole community when one individual wrongs another is compelling. --Emilie Coulter

Themes: Survival, Tradition, Anger and Redemption, Healing

Classroom Implications: This may be more fitting in the social issues book category, but the symbolic image of the bear compelled me to place it under Fantasy. It makes a good match with Hatchet and Bang!, both being survival stories but in different contexts. It is also a great CONTEMPORARY Native American book to have in the classroom.

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Switchers by Kate Thompson

2007-03-18T19:59:00.000-05:00

Summary: Tess has a secret that keeps her apart from others: she can change into an animal at will. Disturbed when scruffy Kevin keeps following her after school, Tess wonders what he wants from her, and why an arctic front is sweeping over the globe, causing a blizzard in Dublin in September. Then she learns that Kevin shares her gift, and they set out across Ireland, disguised as rats, and guided by fellow rats to "little old lady" Lizzie. The eccentric woman sends them on a quest north to stop the krools, ravenous monsters responsible for the Earth's ice ages. The pair races against time (Kevin is about to turn 15, when all Switchers have to choose their final form) and U.N. warplanes seeking alien invaders, to halt the global icing. In occasionally poetic language (which may need some explaining to younger readers), Thompson interweaves elements from mythology and science fiction with insights into animal nature to create a coming-of-age fantasy that, like Peter Pan, ends with an open window and, for many readers, a lump in the throat. Copyright 1998 Reed Business Information, Inc.

Themes: Identity, Adventure

Classroom Implications: This text does have a nice blend of mythology and science fiction that combines to create a fantasy novel best used with lower level readers in a middle school classroom. Students can explore the genre of fantasy by examining the symbols and themes of the novel.

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The New Policeman (Costa Children's Book Award ) by Kate Thompson

2007-03-18T19:49:00.000-05:00

Summary: Grades 7-10 Heart-pounding Irish music is the common ground between material and magical worlds in this ambitious fantasy, which begins in western

Ireland

. When J. J. Liddy is 15, his mother jokingly asks for a birthday present of more time. From an eccentric neighbor, J. J. learns to his astonishment that his mother's request may not be impossible to fill. Bravely venturing into an alternate fairy world, J. J. takes on a thrilling, epic quest in which he confronts dark family rumors and tries to repair a cosmic time leak between his world and "the land of eternal youth." Thompson packs her mesmerizing, chaotic novel with Irish culture (including phrases defined in a glossary), interconnected mysteries, and sly questions about the stresses of contemporary life and the age-old frictions between religion and folklore. Readers will quickly overlook any creaky plot connections and fall eagerly into the rich, comic language and the captivating characters and scenes, particularly those that feature musicians (including talented J. J.), who play the "wild, anarchic music" that bridges worlds. Musical scores for Irish tunes (some written by Thompson) close each chapter in this soulful, wildly imagined tale that has already won several British awards, including the Guardian Children's Book Prize and the Whitbread Children's Book Award. Suggest it to fans of O. R. Melling's The Hunter's Moon (2005) and Eoin Colfer's Artemis Fowl books. Gillian Engberg Copyright © American Library Association. All rights reserved

Excerpt:
'Brilliant timing,' she said. 'Tea's just made.'

But J.J. walked straight past the pot, which steamed on the range in the kitchen, and the plates of fresh scones on the table. Upstairs in his room, his schoolbag lay open on his bed, leaking overdue homework. He glanced at the clock. If he got up half an hour early the next morning he could get a bit of it done.

He spilled the bag and its contents onto the floor, and as he set the alarm he wondered, as he wondered every day, where on earth all the time went.
--from THE NEW POLICEMAN

Classroom Implications: This 2007 release is a great pick for a fantasy book club in 7th or 8th grades. The language is beautiful and students can unpack the genre, studying theme, symbolism and descriptive language.

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Invisible Allies: Microbes That Shape Our Lives (Bccb Blue Ribbon Nonfiction Book Award by Jeanette Farrell

2007-03-18T19:41:00.000-05:00

Summary: Gr. 6-9. The author of Invisible Enemies (1998), Farrell now offers a fascinating, broad-ranging and imminently readable book on the beneficial roles of microbes. After stating some amazing facts about microbes and advising readers against "running, somewhat futilely, for a bar of soap," the introduction provides a vivid picture of Antony van Leeuwenhoek's discovery of microorganisms in 1676. The chapters that follow consider beneficial microbes in the production of bread, cheese, and chocolate as well as their vital role in the gut, where they break down certain foods, kill harmful microbes, and enable certain genes in the intestines to maximize digestion. Finally, Farrell explains the process by which microbes dispose of human waste in sewage treatment plants, noting that they are also used to clean up oil spills and toxins in the environments. Illustrations include photos as well as interesting archival material. Without talking down to her audience or hyping the grosser aspects of the subject, Farrell presents what is known about beneficial microbes and acknowledges the ongoing study of these amazing life-forms. Carolyn Phelan Copyright © American Library Association. All rights reserved

Teaching Points: Prediction (Skill)-->Students can examine the roles that microbes play in our world. Student begin with a microbe (cause) and trace the effect it has on the world (effect). By studying this cause and effect relationship, students can use the relationship to make predictions. For instance, students can examine what would happen to the world in the absence of certain microbes.

Classroom Implications: This text would match well with Invisible Enemies and New York Times Deadly Invaders, especially if the students are in nonfiction book clubs. These nonfiction pieces make great additions to information contained in novels.

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What Are You?: Voices of Mixed-Race Young People by Pearl Fuyo Gaskins (Editor)

2007-03-18T19:30:00.000-05:00

Summary: Grade 8 Up-In this sensitive, thoughtful collection of interviews, essays, and poetry, over 40 young adults ranging in age from 14 to 26 relate their experiences growing up in the

United States

. Their racial identities represent a wide blend of cultures: European, African, Asian, Native American, Jewish, Arabic, Caribbean, Hispanic, and Pacific Islander. Arranged thematically with occasional author notes offering clarification and transition, the primarily upbeat testimonies address issues of discrimination, dating, family dynamics, and self-esteem. The contributors have had to respond to prejudice both inside and outside their own ethnic groups in addition to universal problems, such as financial worries, divorce, parent and sibling conflicts, and academic pressures. Although American society challenged them to "check one box," declaring the race they belong to, they have resisted categorization, seeking instead to understand and express the rich blend that is their personal heritage. They have drawn strength and optimism from a support network provided by family members, organizations, and/or advocacy groups. A helpful resource section includes annotated lists of affinity and advocacy groups and Web sites, as well as relevant fiction and nonfiction books, magazines, and movies and videos. While underscoring the complexity of the mixed-race experience, these unadorned voices offer a genuine, poignant, enlightening and empowering message to all readers.Gerry Larson, Durham School of the Arts, NC Copyright 1999 Reed Business Information, Inc.

Themes: Identity, Hybrid Identities, Classification

Classroom Implications: Students will be drawn to this book of nonfiction writing because of the authentic expressions of identity that are included in this complication. This nonfiction collection adds another layer of identity exploration middle school students should be engage in during their young adult years.

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New York Times Deadly Invaders: Virus Outbreaks Around the World, from Marburn Fever to Avian Flu by Denise Grady

2007-03-18T19:24:00.000-05:00

Summary: Grade 7 Up–This readable and riveting text introduces students to the new age of viral epidemics. Grady begins with an account of her trip to

Angola

in 2005 to cover an outbreak of Marburg fever as a reporter for the New York Times. Her writing is informative and compelling. She persuasively relays the challenges of fighting a viral epidemic in a city that lacks such basic services as running water. The medical professionals also had to cope with language barriers and cultural differences. Grady clearly conveys the difficulties of confining and halting the spread of diseases in an age in which air travel makes it possible for an infected individual to spread a disease worldwide in a matter of hours. A map shows how one person infected with the SARS virus infected 400 individuals from around the globe while staying at a hotel in

China

. Boxed areas highlight information and individuals. For instance, one profiles Maria Bonino, an Italian pediatrician who died of Marburg during the outbreak. The layout is appealing and includes good-quality, full-color, relevant photographs on almost every spread. After relaying her experiences reporting on the Marburg outbreak, Grady profiles other deadly diseases, including Avian Flu, HIV and AIDS, SARS, and West Nile. A fast-paced, timely, and important book.–Maren Ostergard, King County Library System, Issaquah, WA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Teaching Points: Determining Importance (Skill)-->Create a T-chart with one side writing the fact and the accompanying side writing how that fact helps them understand the subject better and/or why the fact is important to the whole picture (Strategy).

Classroom Implications: Students could work on the skills: determining importance and predicting while reading and using this text. This text also would match well with Invisible Enemies and Invisible Allies.

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Bang! by Sharon G. Flake

2007-03-18T19:16:00.000-05:00

Summary: Grade 7 Up–Even though random shootings have become increasingly common in his neighborhood, Mann is horrified when his little brother is gunned down while playing on his own front porch. Two years later, the 13-year-old and his parents are still struggling with their grief. His father believes that if he had been less loving and protective, Jason might have been tougher and capable of avoiding the shot. Mann and his friend Kee-lee keep track of the shooting deaths around them, certain that their own time may come and make them nothing more than numbers on their list. Influenced by ancient African coming-of-age rituals in which young boys are sent into the wilderness to attempt to survive, Mann's father takes him and Kee-lee camping and abandons them far from home. For two urban teens with little food or money, this is a dangerous, frightening experience that leads to crime and violence. After the boys make their treacherous way back home, Mann's father turns him out to live on the streets, determined he will not lose another son because he is too soft. This disturbing, thought-provoking novel will leave readers with plenty of food for thought and should fuel lively discussions.–Ginny Gustin, Sonoma County Library System, Santa Rosa, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Themes: Survival, Ethnic History, Coming of Age—male, Urban Struggles

Classroom Implications: Makes a good choice for a male book club or provides an additional male perspective on coming of age in an urban setting. This is available on audio to support lower level readers. Flake writes to capture the attention of her young adult audience. She is successful with writing literature that students have an easy time making connections with the text and the characters. Bang! could also be in interesting match with Hatchet or Spirit Bear, both outdoor survival stories with male narrators.

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Heaven by Angela Johnson

2007-03-18T19:10:00.000-05:00

Summary: Grade 6-9-What makes a person who she is? Is it her name, the people she lives with, or is blood the only link to identity? Marley, 14, suddenly plunges head first into these complex questions when she discovers that the people she's been living with her entire life aren't her real parents. Butchy is not her real brother, and her mysterious Uncle Jack, who has been writing her short but beautiful letters for as long as she can remember, turns out to be her real, very absent father. In spare, often poetic prose reminiscent of Patricia MacLachlan's work, Johnson relates Marley's insightful quest into what makes a family. Her extreme anger with her supposed parents, who turn out to be her aunt and uncle, for not telling her the truth, for not being the perfect family that she'd always thought them to be, wars with her knowledge that not even her friend Shoogy Maple's model family is as perfect and beautiful as it seems. The various examples of "family" Marley encounters make her question what's real, what's true, what makes sense, and if any of that really matters as much as the love she continues to feel for her parents in spite of their seeming betrayal. Johnson exhibits admirable stylistic control over Marley's struggle to understand a concept that is often impossible to understand or even to define. Linda Bindner, formerly at Athens Clarke County Library, GA
Copyright 1998 Reed Business Information, Inc

Themes: Identity, Family, Betrayal

Classroom Implications: Immediately, Becoming Naomi Leon comes to mind (see next post) in terms of family and identity. Whereas Leon takes a Latina perspective, Heaven takes an American American perspective. This book works well in a on-level or higher-level book club.

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Becoming Naomi Leon by Pam Munoz Ryan

2007-03-18T19:04:00.000-05:00

Summary: Grade 4-7–Naomi Soledad

Leon

Outlaw lives with younger brother Owen and her fiercely practical Gram in a trailer park in California in this novel by Pam Munoz (Scholastic, 2004). An unpopular fifth grader, she spends lots of time in the library with the other outcasts and the kind librarian. Naomi's talent is carving objects out of soap. After being gone for seven years, her mother shows up one day with a scary boyfriend, Clive. Gram lets the children know that their mother, Terri Lynn, has always been wild and irresponsible. They're worried that she will assert her parental rights and take the children away. Naomi is insecure and particularly susceptible to her mother's attention. Owen is essentially ignored by Terri Lynn because he has some physical deformities, but Clive thinks he could use Owen's deformities to make money gambling. Gram, the neighbors, and the children go to Oaxaca to find the children's father and get him to sign papers making Gram their guardian. Their dad is thrilled to see them, and Naomi learns that her talent for soap carving is inherited from her father. This deeply moving story is expressively and sympathetically narrated by Annie Kozuch. Characterization is excellent and listeners will be happy that Naomi finds confidence, love, and security.–B. Allison Gray, John Jermain Memorial Library, Sag Harbor, NY

Themes: Identity, Family, Overcoming Adversity, Belonging

Classroom Implications: This novel carries a strong Latina voice of a female protagonist throughout the novel. Students are able to relate to the character's journey to discover her family history and her identity. This book makes a good choice for lower level readers ins 6th and 7th grade, as well as provides help to sp. ed. students in a full inclusion setting.

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The First Part Last by Angela Johnson

2007-03-17T11:21:00.000-05:00

Summary: Ages 11+. Rarely do we see teen pregnancy from the father's perspective. Narrator Khalipa Oldjohn gives realistic insight into the consequences of unexpected parenthood on one teenaged father. Alternating between "then," when Nia told him on his sixteenth birthday that he was going to be a father, and "now," as he struggles to raise his daughter alone, we witness Bobby coming to grips with responsibility as he struggles to do the right thing. The back-and-forth between past and present requires close attention to the narration to understand why Bobby gave up the adoption option in favor of fatherhood. N.E.M. 2005 YALSA Selection © AudioFile 2005, Portland, Maine-- Copyright © AudioFile, Portland, Maine

Themes: Responsibility, Parenting, Choices

Classroom Implications: This novel includes a crucial voice for the male YA audience. It positions the male in a position that is normally not documented and explored in YA literature. There is also an audio version available that may be helpful for lower level readers, sp.ed. and e.l.l. students.

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The Astonishing Life of Octavian Nothing, Traitor to the Nation, Vol. 1: The Pox Party by M.T. Anderson

2007-03-17T11:08:00.000-05:00

Summary: M. T. Anderson's books for young people reflect a remarkably broad mastery of genres, even as they defy neat classification. Any labeling requires lots of hyphens: space-travel satire (Feed, 2002), retro-comic fantasy-adventure (Whales on Stilts, 2005). This genre-labeling game seems particularly pointless with Anderson's latest novel, The Astonishing Life of Octavian Nothing, Traitor to the Nation (2006), an episodic, highly ambitious story, deeply rooted in eighteenth-century literary traditions, which examines, among many other things, pre-Revolutionary slavery in New England.

The plot focuses on Octavian, a young black boy who recounts his youth in a Boston household of scientists and philosophers (The Novanglian College of Lucidity). The Collegians believe so thoroughly in the Age of Reason's principles that they address one another as numbers. Octavian soon learns that he and his mother are objects of one of the Collegians' experiments to learn whether Africans are "a separate and distinct species." Octavian receives an education "equal to any of the princes in Europe," until financial strains shatter Octavian's sheltered life of intellectual pursuits and the illusion that he is a free member of a utopian society. As political unrest in the colonies grows, Octavian experiences the increasing horrors of what it means to be a slave.

The story's scope is immense, in both its technical challenges and underlying intellectual and moral questions--perhaps too immense to be contained in a traditional narrative (and, indeed, Anderson has already promised a second volume to continue the story). As in Meg Rosoff's Printz Award Book How I Live Now (2004), in which a large black circle replaces text to represent the indescribable, Anderson's novel substitutes visuals for words. Several pages show furious black quill-pen cross-hatchings, through which only a few words are visible, perhaps indicating that even with his scholarly vocabulary, Octavian can't find words to describe the vast evil that he has witnessed. Likewise, Anderson employs multiple viewpoints and formats--letters, newspaper clippings, scientific papers--pick up the story that Octavian is periodically unable to tell.

Once acclimated to the novel's style, readers will marvel at Anderson's ability to maintain this high-wire act of elegant, archaic language and shifting voices, and they will appreciate the satiric scenes that gleefully lampoon the Collegians' more buffoonish experiments. Anderson's impressive historical research fixes the imagined College firmly within the facts of our country's own troubled history. The fluctuations between satire and somber realism, gothic fantasy and factual history will jar and disturb readers, creating a mood that echoes Octavian's unsettled time as well as our own.

Anderson's book is both chaotic and highly accomplished, and, like Aidan Chambers' recent This Is All (2006), it demands rereading. Teens need not understand all the historical and literary allusions to connect with Octavian's torment or to debate the novel's questions, present in our country's founding documents, which move into today's urgent arguments about intellectual life; individual action; the influence of power and money, racism and privilege; and what patriotism, freedom, and citizenship mean. Gillian Engberg Copyright © American Library Association. All rights reserved.

Themes: Social Action, Power, Racism, Patriotism, Freedom, Privilege

Classroom Implications: This is a good pick for a high level, 8^th grade historical fiction book club. This novel can be read through a critical lens, with students working to determining power, privilege and positioning of characters within the novel and the setting.

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Witness by Karen Hesse

2007-03-16T10:17:00.000-05:00

Summary--Ages 9-12 . It is 1924, and a small Vermont town finds itself under siege--by the Ku Klux Klan. Using free verse, Newbery Medal-winning author Karen Hesse (Out of the Dust) allows 11 unique and memorable voices to relate the story of the Klan's steady infiltration into the conscience of a small, Prohibition-era community. The Klan's "all-American" philosophy is at first embraced by several of the town's influential men, including Constable Parcelle Johnson and retailer Harvey Pettibone. But Harvey's sensible wife, Viola, and independent restaurant owner Iris Weaver suspect from the beginning that the Klan's arrival heralds trouble. As the only African Americans in town, 12-year old Leonora Sutter and her father try to escape Klan scrutiny, while 6-year-old, city-born Esther Hirsch remains blissfully unaware of the Klan's prejudice against Jews as she enjoys the Vermont countryside. And Sara Chickering, the lady farmer who has opened her home to Esther and her father, is torn between her own hidden biases and her growing love for Esther. All, however, are galvanized towards action when a shadowy figure shoots at Esther and her father right through Sara's front door. Who would commit such an evil act? And is it too late to remove the poison that has insidiously leaked into their once tight-knit community? Part mystery, part social commentary, Hesse's historically accurate chronicle is a riveting catalyst for discussion that thoughtfully explores race and identity from every possible point of view. The free verse format and distinct characterizations also make Witness a perfect choice for library or classroom reader's theater productions. --Jennifer Hubert

Themes: Community, Justice, Fear, Prejudice

Classroom Implications: This book teaches tough concepts and is written with the young or struggling reader in mind. It is an excellent historical fiction book for the struggling reader or younger reader. It also makes a nice transition between historical fiction and poetry/prose. Witness makes room to teach concepts such as, narrative voice, perspective, point of view, verse, and descriptive language.

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Milkweed by Jerry Spinelli

2007-03-16T10:05:00.000-05:00

Summary: Ages 11 and up. Newbery Medal-winning author Jerry Spinelli (Maniac McGee, Stargirl) paints a vivid picture of the streets of the Nazi-occupied Warsaw during World War II, as seen through the eyes of a curious, kind, heartbreakingly naïve orphan with many names. His name is Stopthief when people shout "Stop! Thief!" as he flees with stolen bread. Or it's Jew, "filthy son of Abraham," depending on who's talking to him. Or, maybe he's a Gypsy, because his eyes are black, his skin is dark, and he wears a mysterious yellow stone around his neck. His new friend and protector Uri forces him to take the name Misha Pilsudski and to memorize a made-up story about his Gypsy background so that no one will mistake him for a Jew and kill him. Misha, a very young boy, is slow to understand what's happening around him. When he sees people running, he thinks it's a race. Nazis (Jackboots, as the children call them) marching through the streets appear to him as a delightful parade of magnificent boots. He wants to be a Jackboot! (Uri smacks him for saying this.) He compares bombs to sauerkraut kettles, machine guns to praying mantises, and tanks to "colossal gray long-snouted beetles." The story of Misha and his band of orphans trying to survive on their own would have a deliciously Dickensian quality, if it weren't for the devastation around them--people hurrying to dig trenches to stop Nazi tanks, shops exploding in flames, the wailing of sirens, buzzing airplanes, bombs, and human torture. Spinelli has written a powerfully moving story of survival--readers will love Misha the dreamer and his wonderfully poetic observations of the world around him, his instinct to befriend a Jewish girl and her family, his impulse to steal food for a local orphanage and his friends in the ghetto, and his ability to delight in small things even surrounded by the horror of the Holocaust. A remarkable achievement. --Karin Snelson

Themes: Survival, Perseverance

Classroom Implications: Milkweed takes a different slant on covering the holocaust. It fits a story of survival within the context of the Holocaust, but doesn't take place in a Jewish concentration camp. This novel would pair nicely with other Holocaust texts in a book club, such as Diary of Anne Frank, The Cage, Parallel Journeys. This text also accommodates special education students or lower-level readers in the middle school general education classroom.

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An American Plague: The True and Terrifying Story of the Yellow Fever Epidemic of 1793 by Jim Murphy

2007-03-16T09:56:00.000-05:00

Summary: Grade 6-10-If surviving the first 20 years of a new nationhood weren't challenge enough, the yellow fever epidemic of 1793, centering in Philadelphia, was a crisis of monumental proportions. Murphy chronicles this frightening time with solid research and a flair for weaving facts into fascinating stories, beginning with the fever's emergence on August 3, when a young French sailor died in Richard Denny's boardinghouse on North Water Street. As church bells rang more and more often, it became horrifyingly clear that the de facto capital was being ravaged by an unknown killer. Largely unsung heroes emerged, most notably the Free African Society, whose members were mistakenly assumed to be immune and volunteered en masse to perform nursing and custodial care for the dying. Black-and-white reproductions of period art, coupled with chapter headings that face full-page copies of newspaper articles of the time, help bring this dreadful episode to life. An afterword explains the yellow fever phenomenon, its causes, and contemporary outbreaks, and source notes are extensive and interesting. Pair this work with Laurie Halse Anderson's wonderful novel Fever 1793 (S & S, 2000) and you'll have students hooked on history. Mary R. Hofmann, Rivera Middle School, Merced, CA Copyright 2003 Reed Business Information, Inc.

Classroom Implications: An excellent nonfiction book to support the work being done in a historical fiction book club. Bringing the nonfiction content and the fictional plot of a novel can be challenging. One way to help students do this is support the nonfiction element of their novel with accessible nonfiction texts. This IS the nonfiction text to use with a historical fiction book, like Fever 1793.

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Fever 1793 by Laurie Halse Anderson

2007-03-16T09:47:00.000-05:00

Summary: Ages 12 and up. On the heels of her acclaimed contemporary teen novel Speak, Laurie Halse Anderson surprises her fans with a riveting and well-researched historical fiction. Fever 1793 is based on an actual epidemic of yellow fever in Philadelphia that wiped out 5,000 people--or 10 percent of the city's population--in three months. At the close of the 18th century, Philadelphia was the bustling capital of the

United States

, with Washington and Jefferson in residence. During the hot mosquito-infested summer of 1793, the dreaded yellow fever spread like wildfire, killing people overnight. Like specters from the Middle Ages, gravediggers drew carts through the streets crying "Bring out your dead!" The rich fled to the country, abandoning the city to looters, forsaken corpses, and frightened survivors.
In the foreground of this story is 16-year-old Mattie Cook, whose mother and grandfather own a popular coffee house on High Street. Mattie's comfortable and interesting life is shattered by the epidemic, as her mother is felled and the girl and her grandfather must flee for their lives. Later, after much hardship and terror, they return to the deserted town to find their former cook, a freed slave, working with the African Free Society, an actual group who undertook to visit and assist the sick and saved many lives. As first frost arrives and the epidemic ends, Mattie's sufferings have changed her from a willful child to a strong, capable young woman able to manage her family's business on her own. --Patty Campbell

Themes: Social Change, Transformation

Classroom Implications: If students read Speak in social issues book clubs, then they will be excited to read Fever 1793 in historical fiction book clubs. This book pairs nicely with An American Plague: The True and Terrifying Story of the Yellow Fever Epidemic of 1793 by Jim Murphy. This novel carries strong characterization into a historical setting. This blend attracts readers to use their skills of characterization and bridge it into a genre that is typically difficult to spark immediate engagement.

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If You Come Softly by Jacqueline Woodson

2007-03-16T09:40:00.000-05:00

Summary: Ages 10-up. Once again, Woodson (I Hadn't Meant to Tell You This) handles delicate, even explosive subject matter with exceptional clarity, surety and depth. In this contemporary story about an interracial romance, she seems to slip effortlessly into the skins of both her main characters, Ellie, an upper-middle-class white girl who has just transferred to Percy, an elite New York City prep school, and Jeremiah, one of her few African American classmates, whose parents (a movie producer and a famous writer) have just separated. A prologue intimates heartbreak to come; thereafter, sequences alternate between Ellie's first-person narration and a third-person telling that focuses on Jeremiah. Both voices convincingly describe the couple's love-at-first-sight meeting and the gradual building of their trust. The intensity of their emotions will make hearts flutter, then ache as evidence mounts that Ellie's and Jeremiah's "perfect" love exists in a deeply flawed society. Even as Woodson's lyrical prose draws the audience into the tenderness of young love, her perceptive comments about race and racism will strike a chord with black readers and open the eyes of white readers ("Thing about white people," Jeremiah's father tells him, "they know what everybody else is, but they don't know they're white"). Knowing from the beginning that tragedy lies just around the corner doesn't soften the sharp impact of this wrenching book. Copyright 1998 Reed Business Information, Inc.

Themes: Inter-racial dating, Families, Membership, Prejudice

Classroom Implications: If a classroom was focusing on author study book clubs, this would be an excellent book to start with in a J. Woodson group. There are several of her books posted on this blog. This book is great for teaching first- and third-person narration, membership, prejudice, and descriptive language.

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Define "Normal" by Julie Anne Peters

2007-03-16T09:32:00.000-05:00

Summary: Grade 7-10-When Antonia is assigned to Jazz as a peer counselor, she figures there is no way she can help this tattooed, pierced, incorrigible girl. They are complete opposites. Antonia is a straight-A student whose parents are divorced and she is struggling to keep what's left of her family together as her mother battles depression. Jazz's family is wealthy and seemingly perfect. As they continue through the 15 hours of peer counseling, it becomes clear that both girls have issues they need to work through. They go from wary classmates to friends who support and help one another. As Antonia's mother is hospitalized for her depression, Jazz battles her own mother's need to control by quitting the one thing she loves most-playing classical piano. Both girls deal with their losses by finding new ways to look at their problems and to resume life as "normally" as possible. This believable book is well written and readers will feel that they know both Jazz and Antonia, and they will want to see them triumph over the frustrations in their lives. Kimberly A. Ault, Lewisburg Area High School, PA Copyright 2000 Reed Business Information, Inc

Themes: Identity, Inclusion/Exclusion, Stereotypes, Membership

Classroom Implications: This is a wonderful book to begin a conversation on what is considered "normal" in different communities. Middle school students can latch onto this tough subject using this novel. It is also a great novel to reach out to marginalized youth that sit on the peripheries of normalized school student bodies. Julie Anne Peters has a variety of books that touch on this issue and uses her literature to advocate for marginalized youth. In Luna, she features and advocates for a transgendered character. Another book that reaches out to LGBTQ youth is What Happened to Lani Garver? This text is recommended for high school and carries some controversial images, language and content, but can be used as an excellent tool to inspire students to question identity and labels.

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Speak by Laurie Halse Anderson

2007-03-16T09:19:00.000-05:00

Summary: Ages 12-up. In a stunning first novel, Anderson uses keen observations and vivid imagery to pull readers into the head of an isolated teenager. Divided into the four marking periods of an academic year, the novel, narrated by Melinda Sordino, begins on her first day as a high school freshman. No one will sit with Melinda on the bus. At school, students call her names and harass her; her best friends from junior high scatter to different cliques and abandon her. Yet Anderson infuses the narrative with a wit that sustains the heroine through her pain and holds readers' empathy. A girl at a school pep rally offers an explanation of the heroine's pariah status when she confronts Melinda about calling the police at a summer party, resulting in several arrests. But readers do not learn why Melinda made the call until much later: a popular senior raped her that night and, because of her trauma, she barely speaks at all. Only through her work in art class, and with the support of a compassionate teacher there, does she begin to reach out to others and eventually find her voice. Through the first-person narration, the author makes Melinda's pain palpable: "I stand in the center aisle of the auditorium, a wounded zebra in a National Geographic special." Though the symbolism is sometimes heavy-handed, it is effective. The ending, in which her attacker comes after her once more, is the only part of the plot that feels forced. But the book's overall gritty realism and Melinda's hard-won metamorphosis will leave readers touched and inspired. Copyright 1999 Reed Business Information, Inc.

Themes: Identity, Inclusion/Exclusion, Teenage/Female Violence

Classroom Implications: This novel pulls the reader into the world of an isolated teenager. This novel would be matched well with The Misfits, The Perks of Being a Wallflower, The Pinballs, The Outsiders, or Define Normal--all books that address identities and lives on the periphery. This is an excellent novel to study first person narration, symbolism, internal/external conflict and point of view.

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American Born Chinese by Gene Luen Yang

2007-03-16T08:56:00.000-05:00

Summary: Indie graphic novelist Gene Yang's intelligent and emotionally challenging American Born Chinese is made up of three individual plotlines: the determined efforts of the Chinese folk hero Monkey King to shed his humble roots and be revered as a god; the struggles faced by Jin Wang, a lonely Asian American middle school student who would do anything to fit in with his white classmates; and the sitcom plight of Danny, an All-American teen so shamed by his Chinese cousin Chin-Kee (a purposefully painful ethnic stereotype) that he is forced to change schools. Each story works well on its own, but Yang engineers a clever convergence of these parallel tales into a powerful climax that destroys the hateful stereotype of Chin-Kee, while leaving both Jin Wang and the Monkey King satisfied and happy to be who they are. Yang skillfully weaves these affecting, often humorous stories together to create a masterful commentary about race, identity, and self-acceptance that has earned him a spot as a finalist for the National Book Award for Young People. The artwork, rendered in a chromatically cool palette, is crisp and clear, with clean white space around center panels that sharply focuses the reader's attention in on Yang's achingly familiar characters. There isn't an adolescent alive who won't be able to relate to Jin's wish to be someone other than who he is, and his gradual realization that there is no better feeling than being comfortable in your own skin.--Jennifer Hubert

Themes: Identity, Inclusion/Exclusion, Ethnicity

Classroom Implications: This graphic novel could combine with other graphic novels, like Maus and Persepolis, to create a social issue book club of graphic novels. It also has a strong identity theme and could be matched with similarly themed books, like The Skin I'm In and Becoming Naomi Leon.

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The Voice that Challenged a Nation: Marian Anderson and the Struggle for Equal Rights by Russell Freedman

2007-02-26T15:55:00.000-05:00

Gr. 4-8. In lush operatic style, Pam Munoz Ryan's picture-book biography When Marian Sang (2002), with beautiful illustrations by Brian Selznick, celebrated the triumph of the great African American vocalist in the face of the vicious segregation of her time. Now for middle-grade and junior-high readers comes this handsome, spaciously designed photo-biography. In his signature prose, plain yet eloquent, Freedman tells Anderson's triumphant story, with numerous black-and-white documentary photos and prints that convey her personal struggle, professional artistry, and landmark civil rights role. Everything leads up to her 1939 historic performance at the Lincoln Memorial, where, denied the right to sing at Constitution Hall, she thrilled a crowd of 75,000 and a national radio audience. Freedman reveals that Anderson never invited political confrontation, but with the support of such friends as Eleanor Roosevelt, she had a profound effect on the nation. Documentation is an essential part of her exciting story, with many pages of source notes as well as an enthusiastic, annotated bibliography, and, of course, a discography. Older readers and adults will want this, too. Hazel RochmanCopyright © American Library Association. All rights reserved

Classroom Implications: Pairing this book with Ryan's picture book is a great way to make nonfiction texts accessible for the intermediate and upper grade classrooms. This book is an essential for biography studies and nonfiction reading.

Additional Information and Links on Marian Anderson

Skills and Strategies

Determining Importance
Fact and Opinion
Retelling
Scanning
Summarizing

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Al Capone Does My Shirts by Gennifer Choldenko

2007-02-26T15:43:00.000-05:00

Gr. 5-8. Twelve-year-old Moose moves to Alcatraz in 1935 so his father can work as a prison guard and his younger, autistic sister, Natalie, can attend a special school in San Francisco. It is a time when the federal prison is home to notorious criminals like gangster Al Capone. Depressed about having to leave his friends and winning baseball team behind, Moose finds little to be happy about on Alcatraz. He never sees his dad, who is always working; and Natalie's condition-- her tantrums and constant needs--demand all his mother's attention. Things look up for Moose when he befriends the irresistible Piper, the warden's daughter, who has a knack for getting Moose into embarrassing but harmless trouble. Helped by Piper, Moose eventually comes to terms with his new situation. With its unique setting and well-developed characters, this warm, engaging coming-of-age story has plenty of appeal, and Choldenko offers some fascinating historical background on Alcatraz Island in an afterword. Ed Sullivan Copyright © American Library Association. All rights reserved

Classroom Implications: This text combines adventure, historical fiction, and a young boy's perspective and serves up a great addition to a historical fiction book club selection. The author is meticulous about historical accuracies and inaccuracies. If used in a book club or literature circle, teachers can access this literature circle guide for discussion questions and activities.

Skills and Strategies

Determining Importance
Making Connections
Fact and Opinion

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Show Way by Jacqueline Woodson

2007-02-26T15:11:00.000-05:00

Kindergarten-5. A Show Way is a quilt with secret meanings, and the image works as both history and haunting metaphor in this exquisite picture book. Based on Woodson's own history, the unforgettable story tells of African American women across generations, from slavery and the civil rights movement to the present. The cut-out jacket design is impressive, as is Talbott's mixed-media artwork inside, which extends Woodson's clear poetic narrative with beautiful collages that make use of big triangles, squares, and curves to emphasize portraits and landscapes and show connections and courage. The first double-page spread is of anguished separation when Soonie's great-grandmother is sold "without her ma or pa." Growing up on a plantation in South Carolina, Soonie learns from Big Mama about children "growing up and getting themselves free," and also how to sew quilts with signs that show the way to freedom. Time passes: Soonie's granddaughter, Georgiana, has twin girls who march for freedom in the 1960s. The final glorious spread shows Georgiana's granddaughter, Jacqueline Woodson, laughing at home with her own beloved daughter, Toshi Georgiana, whose picture is embedded in a quilt, connecting her with those who came before. A must for the classroom, this story will move many readers to explore their own family roots; link to the Booklist interview with Woodson , in which she talks about what she owes to those who came before her. Hazel RochmanCopyright © American Library Association. All rights reserved

Classroom Implications: Woodson crafts a perfect text to introduce a study of family history in the classroom. This text inspires students to research their own family history. Tar Beach by Faith Ringold would make an excellent match with this text. This pairing opens the door to a parallel study on quilt making and community.

Skills and Strategies

Descriptive Language
Symbolism
Point of view
Characterization
Timelines of text

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Criss Cross by Lynne Rae Perkins

2007-02-26T14:47:00.000-05:00

Grade 6-9–The author of the popular All Alone in the Universe (HarperCollins, 1999) returns with another character study involving those moments that occur in everyone's life–moments when a decision is made that sends a person along one path instead of another. Debbie, who wishes that something would happen so she'll be a different person, and Hector, who feels he is unfinished, narrate most of the novel. Both are 14 years old. Hector is a fabulous character with a wry humor and an appealing sense of self-awareness. A secondary story involving Debbie's locket that goes missing in the beginning of the tale and is passed around by a number of characters emphasizes the theme of the book. The descriptive, measured writing includes poems, prose, haiku, and question-and-answer formats. There is a great deal of humor in this gentle story about a group of childhood friends facing the crossroads of life and how they wish to live it. Young teens will certainly relate to the self-consciousnesses and uncertainty of all of the characters, each of whom is straining toward clarity and awareness. Allison Gray, John Jermain Library, Sag Harbor, NY Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Classroom Implications: Noted for its unique writing style and narrative voice, this text brings a welcome new energy to vitalize classroom libraries. It contains illustrations and photographs, as well as presents two narrators of the story. This book may take some scaffolding around the author's style, but once students get the hang of it, they won't want to stop reading this story on teenage life.

Skills and Strategies

Point of View
Characterization
Author's style

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Rules by Cynthia Lord

2007-02-26T14:32:00.000-05:00

Gr. 4-7. "No toys in the fish tank" is one of many rules that 12-year-old Catherine shares with her autistic younger brother, David, to help him understand his world. Lots of the rules are practical. Others are more subtle and shed light on issues in Catherine's own life. Torn between love for her brother and impatience with the responsibilities and embarrassment he brings, she strives to be on her parents' radar and to establish an identity of her own. At her brother's clinic, Catherine befriends a wheelchair-bound boy, Jason, who talks by pointing at word cards in a communication notebook. Her drawing skills and additional vocabulary cards--including "whatever" (which prompts Jason to roll his eyes at his mother)--enliven his speech. The details of autistic behavior are handled well, as are depictions of relationships: Catherine experiences some of the same unease with Jason that others do in the presence of her brother. In the end, Jason helps Catherine see that her rules may really be excuses, opening the way for her to look at things differently. A heartwarming first novel. Cindy DobrezCopyright © American Library Association. All rights reserved

Classroom Implications: This is a great story that embraces diversity, instead of parading it in front of the reader. The characters are developed deeply and complexly rather than defined by their disability. This would be an excellent book club book around disabilities/abilities and social issues.

Skills and Strategies

Characterization
Conflict
Making Connections

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Hattie Big Sky by Kirbie Larson

2007-02-26T00:40:00.000-05:00

In this engaging historical novel set in 1918, 16-year-old orphan Hattie Brooks leaves Iowa and travels to a Montana homestead inherited from her uncle. In the beautiful but harsh setting, she has less than a year to fence and cultivate the land in order to keep it. Neighbors who welcome Hattie help heal the hurt she has suffered from years of feeling unwanted. Chapters open with short articles that Hattie writes for an Iowa newspaper or her lively letters to a friend and possible beau who is in the military in France. The authentic first-person narrative, full of hope and anxiety, effectively portrays Hattie's struggles as a young woman with limited options, a homesteader facing terrible odds, and a loyal citizen confused about the war and the local anti-German bias that endangers her new friends. Larson, whose great-grandmother homesteaded alone in Montana, read dozens of homesteaders' journals and based scenes in the book on real events. Writing in figurative language that draws on nature and domestic detail to infuse her story with the sounds, smells, and sights of the prairie, she creates a richly textured novel full of memorable characters. Kathleen Odean Copyright © American Library Association. All rights reserved

Classroom Implications: A historical fiction text that speaks to students using dramatic characterization, illustrative setting, and riveting internal conflict--a perfect book club choice!

Skills and Strategies

Descriptive language
Setting
Conflict
Characterization
Theme

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Penny from Heaven by Jennifer Holm

2007-02-26T00:25:00.000-05:00

Grade 5-7–Penny Falucci, 11, lives with her widowed mother and maternal grandparents, but her father's large, Italian family is tremendously important to her, too. It frustrates her that no one talks about his death, but as the summer of 1953 progresses, several events occur. First, her mother begins dating the milkman, and, when Penny's arm goes through the wringer on the washing machine, things come to a head. Finally, the secrets behind her father's death come out. Aunt Gina tells her about a minor incident that had horrifying consequences for him because of the restrictions placed on Italian Americans during World War II. Penny and her world are clearly drawn and eminently believable, made up of seamlessly interwoven details from everyday life. The period is lovingly re-created, from the fear of catching polio to Penny's use of the word swell. An author's note with photos is included. –Faith Brautigam, Gail Borden Public Library, Elgin, IL Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Classroom Implications: Students reach back into life in the 1950's and find themselves in an Italian-American family in Brooklyn. This sparks an immediate discussion around setting and time periods. This book also provides the space for much work to be done around the rich characters in the text. The time line of the text tends to be more episode-driven rather than plot-driven, therefore students will use a different set of skills to negotiate the text (i.e. focus on retelling and interpreting skills).

Skills and Strategies

Setting
Characterization
Interpreting
Retelling--episode driven vs. plot driven

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The Higher Power of Lucky by Susan Patron

2007-02-25T20:12:00.000-05:00

Grade 4-6–When Lucky's mother is electrocuted and dies after a storm, Lucky's absentee father calls his ex-wife, Brigitte, to fly over from France to take care of the child. Two years later, the 10-year-old worries that Brigitte is tired of being her guardian and of their life in Hard Pan (pop. 42) in the middle of the California desert. While Lucky's best friend ties intricate knots and the little boy down the road cries for attention, she tries to get some control over her life by restocking her survival kit backpack and searching for her Higher Power. This character-driven novel has an unusually complicated backstory, and a fair amount of exposition. Yet, its quirky cast and local color help to balance this fact, and the desert setting is fascinating. Lucky's tendency to jump to conclusions is frustrating, but her struggle to come to terms with her mother's death and with her new life ring true. Phelan's cover and line drawings are simple and evocative, a perfect complement to the text. Fans of novels by Deborah Wiles and Katherine Hannigan will be happy to meet Lucky.–Adrienne Furness, Webster Public Library, NY
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Classroom Implications: Despite the nationwide controversy over this pick, LUCKY is filled with beautiful language, rich characterization and dynamic plot. This is an excellent text for intermediate and young adult (YA) readers to follow a character journey to find a place for her in the world. Patron provides a much needed text to support critical literacy in upper grade classrooms.

Skills and Strategies

Setting
Characterization
Envisioning
Making Connections
Questioning

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Knuffle Bunny: A Cautionary Tale by Mo Willems

2007-02-25T17:01:00.000-05:00

PreS-Gr. 2. This comic gem proves that Caldecott Medal-winner Willems, the Dr. Spock and Robin Williams of the lap-sit crowd, has just as clear a bead on pre-verbal children as on silver-tongued preschoolers. On a father-daughter trip to the Laundromat, before toddler Trixie "could even speak words," Daddy distractedly tosses her favorite stuffed bunny into the wash. Unfortunately, Trixie's desperate cries ("aggle flaggle klabble") come across as meaningless baby talk, so she pitches a fit until perceptive Mommy and abashed Daddy sprint back to retrieve the toy. Willems chronicles this domestic drama with pitch-perfect text and illustrations that boldly depart from the spare formula of his previous books. Sepia-tone photographs of a Brooklyn neighborhood provide the backdrops for his hand-drawn artwork, intensifying the humor of the gleefully stylized characters--especially Trixie herself, who effectively registers all the universal signs of toddler distress, from the first quavery grimace to the uncooperative, "boneless" stage to the googly-eyed, gape-mouthed crisis point. Even children who can already talk a blue streak will come away satisfied that their own strong emotions have been mirrored and legitimized, and readers of all ages will recognize the agonizing frustration of a little girl who knows far more than she can articulate. Jennifer Mattson Copyright © American Library Association. All rights reserved

Excerpt:

Classroom Implications: Great for non-verbal children, this book is a welcomed addition to primary classroom libraries. Educators can focus on non-verbal communication strategies with non-verbal and verbal children. This text encompasses the genre of realistic fiction by the plot and the illustrations.

Skills and Strategies

Point of view
Verbal and non-verbal cues
Setting

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Coming on Home Soon by Jacqueline Woodson (Author) and E.B. White (Illustrator)

2007-02-25T16:41:00.000-05:00

K-Gr. 3. As in their award-winning picture book The Other Side (2001), Woodson and Lewis tell a moving historical story of longing and separation. The setting here is the home front during World War II, and Ada Ruth's mama leaves to find work in the city ("They're hiring colored women in Chicago since all the men are off fighting in the war"). At home with Grandma, Ada Ruth holds on to memories of Mama's love and writes to her. Times are hard, and for a long time "no letter or money coming." Ada Ruth takes in a stray kitten, and even though Grandma says they can't keep it, Ada Ruth does, and its purring softness is big and warm on her lap. The race, class, and gender struggle is part of the larger drama ("A colored woman working on the railroad!"), but for Ada Ruth, it's the waiting, quietly expressed in her simple, poetic first-person narrative. Lewis' beautiful watercolors establish the setting, not the South this time, but a spacious rural landscape with snow and icy storms, and inside, the loving portrayals of the women in warm, neat rooms with an empty chair. Period and place are wonderfully specific; the yearning is timeless. Hazel Rochman Copyright © American Library Association. All rights reserved

Classroom Implications: This book stands out for its pairing of historical fiction with award-winning illustrations. Woodson writes a story within a story; upon reading, the reader notices the internal story of the characters that occurs simultaneously with the external story on the pages. For this reason, this would be an excellent text to use when teaching personal narrative or short story.

Click here to access a Booklist Interview with J. Woodson on her book Coming on Home Soon, African American women in her family, and her writing process.

Skills and Strategies

Summarizing
Setting
Dialogue

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Song of the Water Boatman and Other Pond Poems by Joyce Sidman (author) and Beckie Prange (illustrator)

2007-02-25T16:21:00.000-05:00

Kindergarten-Grade 5-Seasons set the stage for this celebration of the diverse life of ponds. The book begins with the poem, "Listen for Me," in which spring peepers wake from their winter hibernation and sing out, "Listen for me on a spring night,/on a wet night,/on a rainy night./…Listen for me tonight, tonight,/and I'll sing you to sleep." The melodic verse continues through summer with a cumulative poem that highlights the food chain of a pond, cattails in all seasons, and late fall when a painted turtle settles into the mud. Sidman employs several poetic forms, such as haiku and rhymed and unrhymed verse, and varied line structure, and her arrangement of the 11 poems is natural and exact. Each one is accompanied by a paragraph that provides scientific information about a specific creature, plant, or aspect of pond life. Prange's woodcuts are a natural accompaniment to these poetic compositions. The dark lines naturally contrast against watercolor hues that reflect the changing seasons. Beginning with subtle pastel shades of spring, tones gradually deepen through the lush colors of midsummer and conclude with subdued earthy browns and violet sunsets of early winter. Perspectives in illustrations shift from one poem to another, providing a unique depiction of the life below the water, on shore level, and in the surrounding reeds and trees. An organic union of poetry and science, this book encourages readers to ponder the minutiae and magnificent life of the natural world.-Shawn Brommer, South Central Library System, Madison, WI
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Classroom Implications: This makes a wonderful read aloud for first-fourth grade classrooms studying ecosystems. It is especially hard to find a specific science-based book for primary grades. This book solves that problem! It combines poetry and a content-area story, and manages to include delightful images worthy enough for the Caldecott. This text would pair nicely with Fleishman's Joyful Noise: Poems in Two Voices due to the similarity in both poetry and science.

Skills and Strategies

rhythm
rhyme
haiku--syllables
free verse
nonfiction reading

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Hot Air: The (Mostly) True Story of the First Hot-Air Balloon Ride by Marjorie Priceman

2007-02-25T16:11:00.000-05:00

PreSchool-Grade 3-Inventive illustrations depict the true story of the duck, sheep, and rooster that were "ballooning's first brave passengers" when the Montgolfiers tested their hot-air balloon in 1783. The first three spreads set the stage with lively conversational descriptions of the scene before the balloon takes off. A dramatic shift on the fourth page turn reveals the befuddled animal passengers as they ascend. Most of the remaining text is wordless, with occasional "quacks," "baas," and "cock-a-doodle-doos." With vibrant colors and varied use of panels, full-page illustrations, and spreads, Priceman paces the tale perfectly. An early four-panel scene showing the balloon at various heights while the animals try to figure out what's going on is priceless. So is the spread in which all three become attached to windblown laundry. The voyagers' progress is easy to follow, and events along the way are delightfully rendered. A time line on the endpapers fills in some of the historical data, but this "(mostly) true" version (which the author "heard…from a duck, who heard it from a sheep, who heard it from a rooster a long, long time ago") is just the way it should have happened. Sarah Wilson's Three in a Balloon (Scholastic, 1990; o.p.) covers the same event nicely, but this intriguing historical episode stands up to varied presentations, as Priceman's dynamic visual storytelling ably demonstrates.-Steven Engelfried, Beaverton City Library, OR
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Classroom Implications: Nonfiction meets fiction in this book. Historical data is paired with imaginative illustrations and wordless pages to provoke thought, predictions and inferences around the nonfiction. A non-traditional historical nonfiction text, this book blends nicely into a library that includes a section on flight.

Skills and Strategies

Nonfiction reading
Questioning
Inferences

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Zen Shorts by Jon Muth

2007-02-25T15:29:00.000-05:00

Kindergarten-Grade 4 - Beautifully illustrated in two distinct styles, this book introduces readers to a Zen approach to the world, wrapped in a story about three siblings and their new neighbor, a panda. One by one, the children visit Stillwater, enjoying his company and listening to him tell a brief tale that illustrates a Zen principle. Each time, there is a link between the conversation shared by Stillwater and his visitor and the story he tells; it's somewhat tenuous in regard to the two older siblings, quite specific in the case of Karl, the youngest. The tales invite the children to consider the world and their perceptions from a different angle; for Karl, the panda's story gently but pointedly teaches the benefits of forgiveness. Richly toned and nicely detailed watercolors depict the "real world" scenes, while those accompanying the Zen lessons employ black lines and strokes on pastel pages to create an interesting blend of Western realism and more evocative Japanese naturalism. Taken simply as a picture book, Zen Shorts is interesting and visually lovely. As an introduction to Zen, it is a real treat, employing familiar imagery to prod children to approach life and its circumstances in profoundly "un-Western" ways. An author's note discusses the basic concept of Zen and details the sources of Stillwater's stories. Appealing enough for a group read-aloud, but also begging to be shared and discussed by caregiver and child, Zen Shorts is a notable achievement. - Coop Renner, Hillside Elementary, El Paso, TX Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Classroom Implications: This book captivates audiences with beautiful images and messages conveyed throughout the text. The simplistic images match the simple Zen-Buddist messages of the story. These lessons span ages, so the book can be used with multiple age groups. A perfect book to work on themes and main messages of texts. This book would also work cross-curricularly with a history class on non-western cultures and thought.

Skills and Strategies

theme/main message
symbolism

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